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A guajeo (Anglicized pronunciation: wa-hey-yo) is a typical Cuban ostinato melody, most often consisting of arpeggiated chords in syncopated patterns. Some musicians only use the term guajeo for ostinato patterns played specifically by a tres, piano, an instrument of the violin family, or saxophones.
The music of Cuba, including its instruments, performance, and dance, comprises a large set of unique traditions influenced mostly by west African and European (especially Spanish) music. [1] Due to the syncretic nature of most of its genres, Cuban music is often considered one of the richest and most influential regional music in the world.
In music of Afro-Cuban origin, tumbao is the basic rhythm played on the bass. In North America, the basic conga drum pattern used in popular music is also called tumbao [ citation needed ] . In the contemporary form of Cuban popular dance music known as timba , piano guajeos are known as tumbaos .
The Cuban Jazz Band was founded in 1922 by Jaime Prats in Havana. The personnel included his son Rodrigo Prats on violin, the great flautist Alberto Socarrás on flute and saxophone and Pucho Jiménez on slide trombone. The line-up would probably have included double bass, kit drum, banjo, cornet at least.
The violin was part of the instrumental ensembles that accompanied the Contradance and the Dance, the first Cuban musical genres, as well as other subsequent genres as the Danzón and the Cha cha cha. The violin also intoned some of the most beautiful melodies composed in Cuba, such as "La Bella Cubana" by José White.
Piano guajeo in the Mario Bauzá composition "Tangá". This tune is considered the first Afro-Cuban jazz piece. As such, the 1949 recording of this song by Machito and his Afro-Cubans was an important factor in the development of the descarga format.
In their New Year predictions, high priests from Cuba's Afro-Cuban Santeria religion told followers on Thursday to watch their health and spending, care for their families, guard against crime and ...
The habanera was the first of many Cuban music genres which enjoyed periods of popularity in the United States, and reinforced and inspired the use of tresillo-based rhythms in African American music. [b] From the perspective of African American music, the habanera rhythm can be thought of as a combination of tresillo and the backbeat. [19]