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Act III, Scene 1. The search for Cinderella. No 39 The Prince and the Cobblers No 40 First Galop of the Prince No 41 Temptation No 42 Second Galop of the Prince No 43 Orientalia No 44 Third Galop of the Prince Act III, Scene 2. The Prince with Cinderella. No 45 Cinderella's Awakening No 46 The Morning After the Ball No 47 The Prince's Visit
Suite from Cinderella No. 1: 1946 108 Suite from Cinderella No. 2: 1946 109 Suite from Cinderella No. 3: 1946 110 Waltz Suite, six waltzes for orchestra 1946 111 Symphony No. 6 in E ♭ minor 1945–47 112 Symphony No. 4 in C major (revised version) 1947 113 Thirty Years, festive poem for orchestra 1947 114 Flourish, Mighty Land, cantata 1947 115
Sergei Prokofiev wrote the Overture on Hebrew Themes, Op. 34, in 1919 while he was in the United States. It is scored for the rare combination of clarinet , string quartet and piano . Fifteen years later the composer prepared a version for chamber orchestra, his “Op. 34 bis” or Op. 34a, retaining a separate part for piano but featuring solo ...
Sergei Prokofiev composed and compiled his Waltz Suite, Op. 110, during the Soviet Union's post-Great Patriotic War period of 1946–1947.. In creating this work for the concert hall, the composer drew upon waltzes previously written for three of his most recent works for the stage and screen: the opera War and Peace (completed circa 1943–1944 but not yet premiered at that time); the ballet ...
The first five were short ballets, written when he was in the West. The last three (Romeo and Juliet, Cinderella, and The Tale of the Stone Flower), were written when he returned to live in Russia, with each of them lasting for about 2 hours.
Sergei Prokofiev's Piano Concerto No. 4 in B-flat major for the left hand, Op. 53, was commissioned by the one-armed pianist Paul Wittgenstein and completed in 1931.. It was the only one of Prokofiev's complete piano concertos that never saw a performance during his lifetime.
Visions fugitives, Op. 22, is a cycle of twenty piano miniatures by Sergei Prokofiev.The seventh piece was also published for harp.They were written between 1915 and 1917, individually, many for specific friends of the composer, and premiered by him as a cycle lasting some twenty minutes on April 15, 1918, in Petrograd.
[1] Poulenc's wind sonatas share thematic material. For example, motifs in the final movement of the Clarinet Sonata can be heard in the Scherzo of the Oboe Sonata. Similarly, the Second Movement of the Clarinet Sonata opens with a motif that can be seen as an inversion of the opening of the Elégie of the Oboe Sonata.