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The Jacquard loom is a mechanical loom, invented by Joseph Marie Jacquard in 1801, which simplifies the process of manufacturing figured textiles with complex patterns such as brocade, damask, and matelasse. [25] [26] The loom is controlled by punched cards with punched holes, each row of which corresponds to one row of the design. Multiple ...
Cope and chasuble; Brocade of Lyon. 19th Century Silk brocade fabric, Lyon, France, 1760–1770. Detail of hair-sash being brocaded on a Jakaltek Maya backstrap loom. Large Yunjin brocade loom, Nanjing, China, 2010
In the 7th and 8th century AD, Tang-dynasty immigrants brought new production techniques for textiles, and Japanese silk weaving improved. [7] Silk was used for high-class fabrics, [ 9 ] with silk noil from broken, lumpy or discarded silk cocoons used to weave lower-class materials such as tsumugi , a type of soft, uneven slub-woven silk with ...
Meisen cloth, probably 1950s Meisen (銘 （ めい ） 仙 （ せん ）, lit. ' common silk stuff ') is a type of silk fabric traditionally produced in Japan ; it is durable, hard-faced, and somewhat stiff, with a slight sheen, : 79 and slubbiness is deliberately emphasised. Meisen was first produced in the late 19th century, and became widely popular during the 1920s and 30s (late- Taishō ...
A separate volume of essays uses the collection to explore the phenomenon of Japonisme: the enthusiasm for Japanese arts in late 19th century Europe. [8] There are also catalogues from various exhibitions. Harris, Victor (1994). Japanese imperial craftsmen : Meiji art from the Khalili collection. London: British Museum Press. ISBN 0714114634.
An early nineteenth century Japanese loom with several heddles which the weaver controls with her foot A loom from the back, in the process of warping, showing a shaft of threaded heddles. Fully warped, a very slight shed. Within wire heddles there is a large variety in quality.
Originating in the Heian period as an undergarment for both men and women, the kosode was a plain white garment, typically made of silk, worn directly next to the skin.Both men and women wore layered, wrap-fronted, wide-sleeved robes on top of the kosode, with the style of layering worn by women of the Imperial Japanese court – known as the jūnihitoe, literally "twelve layers" – featuring ...
Japonisme [a] is a French term that refers to the popularity and influence of Japanese art and design among a number of Western European artists in the nineteenth century following the forced reopening of foreign trade with Japan in 1858. [1] [2] Japonisme was first described by French art critic and collector Philippe Burty in 1872. [3]