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Free time is a type of musical anti-meter free from musical time and time signature. It is used when a piece of music has no discernible beat. Instead, the rhythm is intuitive and free-flowing. In standard musical notation, there are seven ways in which a piece is indicated to be in free time: There is simply no time signature displayed.
In music, soundscape compositions are often a form of electronic music or electroacoustic music.Composers who use soundscapes include real-time granular synthesis pioneer Barry Truax, Hildegard Westerkamp, and Luc Ferrari, whose Presque rien, numéro 1 (1970) is an early soundscape composition.
The Freesound Project was officially launched on April 5, 2005 in the context of the 2005 International Computer Music Conference. It is a project of the Music Technology Group of Universitat Pompeu Fabra, Barcelona. Frederic Font is heading the team responsible for developing and administrating the Freesound website. [2]
On-set virtual production (OSVP) [a] is an entertainment technology for television and film production in which LED panels are used as a backdrop for a set, ...
The oldest method of system calibration involves a set of healthy ears, test program material (i.e. music or speech), a graphic equalizer, and a familiarity with the desired frequency response. One must then listen to the program material through the system, take note of any noticeable frequency deviation or resonances, and correct them using ...
Audible has a 30-day free trial available right now. All these years later it still amazes me how so many disparate things had to come together for me to use a computer in 1968.
More than 150 female prisoners were raped and burned to death during a jailbreak last week when fleeing male inmates set fire to a prison in Goma, in the eastern Democratic Republic of Congo, a ...
A set (pitch set, pitch-class set, set class, set form, set genus, pitch collection) in music theory, as in mathematics and general parlance, is a collection of objects. In musical contexts the term is traditionally applied most often to collections of pitches or pitch-classes , but theorists have extended its use to other types of musical ...