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Fingerweaving is an art form used mostly to create belts, sashes, straps, and other similar items through a non-loom weaving process. Unlike loom-based weaving, there is no separation between weft and warp strands, with all strands playing both roles.
Tyra Shackleford (born in Ada, Oklahoma) is a Chickasaw textile artist who specializes in various hand woven techniques. Her three most prominent weaving techniques are sprang, fingerweaving, and twinning, which all date back prior to European contact, She has opened her traditional form of art to more conceptual and wearable art.
Hanging scroll painting by Gao Qipei: Finger Painting of Eagle and Pine Trees.On display at the Shanghai Museum.. Fingerpaint is a kind of paint intended to be applied with the fingers; it typically comes in tubes and is used by small children, though it has occasionally been used by adults either to teach art to children, or for their own use.
Ada Dietz (1882 – 1981) was an American weaver best known for her 1949 monograph Algebraic Expressions in Handwoven Textiles, which defines weaving patterns based on the expansion of multivariate polynomials. [9] J. C. P. Miller used the Rule 90 cellular automaton to design tapestries depicting both trees and abstract patterns of triangles. [10]
Fröbel also developed a series of activities ("occupations") such as sewing, weaving, and modeling with clay, [1] for children to extend their experiences through play. Ottilie de Liagre [ who? ] in a letter to Fröbel in 1844 [ citation needed ] observed that playing with the Froebel gifts empowers children to be lively and free, but people ...
Weaving in Beauty – how to identify types of Navajo textiles, weaving classes, articles; Navajo Nation Arts & Crafts Enterprise; History of the Navajo Rug, by Navajo Rug Repair Co. Towards an Understanding of Navajo Aesthetics, Kathy M’Closkey Archived 2013-04-05 at the Wayback Machine
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The Ravenstail weaving technique almost went extinct after 200 years of inactivity. [9] [11] Cheryl Samuel was the first person to replicate Ravenstail weaving for revival purposes, and by the mid-1980s she had obtained permission from several Pacific Northwest indigenous tribes to revive the art to regularly teach classes on the subject. [1]