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Potter and a key figure in mingei (Japanese folk art) and studio pottery movements Yasuo Kuniyoshi: 1893–1953 Migrated to New York from Japan in 1906. Well known for his paintings related to Social Realism: Kanpū Ōmata: 1894–1947 Painter and waka poet Haruko Hasegawa: 1895–1967 Painter, illustrator, writer; she specialized in war painting
Musha-e (武者絵) is a type a Japanese art that was developed in the late 18th century. It is a genre of the ukiyo-e woodblock printing technique, and represents images of warriors and samurai from Japanese history and mythology. [1] [2]
Afro Samurai was adapted into an anime miniseries and a sequel television film, Afro Samurai: Resurrection. [ 4 ] [ 5 ] After the release of the anime series, Takashi Okazaki went back and recreated the original dōjinshi into a two-volume manga series which was released in the United States by Tor Books and Seven Seas Entertainment . [ 6 ]
Painting by Kohei Ezaki of the main landing by the 144th Infantry Regiment, South Seas Detachment during the Battle of Guam (1941) Kohei Ezaki (江崎 孝坪, Ezaki Kōhei, real given name 孝平, 15 June 1904 – 27 June 1963) was a Japanese Nihonga painter from Takatō, Nagano. [1] [2] He was a pupil of Seison Maeda. [2]
Ichikawa Omezō as a Pilgrim and Ichikawa Yaozō as a Samurai is an ukiyo-e woodblock print dating to around 1801 by Edo period artist Utagawa Toyokuni I. Featuring two of the most prominent actors of the day as characters in a contemporary kabuki drama, it is a classic example of the kabuki-e or yakusha-e genre.
“Blue Eye Samurai” is set to collect a trio of juried awards for achievement in animation–for character design, production design and storyboard–while vying for two competitive awards ...
Kuniyoshi was born on 1 January 1798, the son of a silk-dyer, Yanagiya Kichiyemon, [5] originally named Yoshisaburō. Apparently he assisted his father's business as a pattern designer, and some have suggested that this experience influenced his rich use of color and textile patterns in prints.
Like all the prints in this series, the white title cartouche is embossed with the pattern of a textile. The ghost has blue lips, a convention also used for corpses. Iga no Tsubone’s hair is remarkable both for its fine carving, and for the part it plays in one of Yoshitoshi’s boldest designs." Block-cutter: Enkatsu (Noguchi Enkatsu).