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The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables coming at regular intervals (e.g. in iambic pentameters, usually every even-numbered syllable).
The English word "trapeze" is an example of an iambic pair of syllables, since the word is made up of two syllables ("tra-peze") and is pronounced with the stress on the second syllable ("tra-PEZE", rather than "TRA-peze"). A line of iambic pentameter is made up of five such pairs of short/long, or unstressed/stressed, syllables.
Iambic meter: any meter based on the iamb as its primary rhythmic unit. Alexandrine (iambic hexameter): a 12-syllable iambic line adapted from French heroic verse. Example: the last line of each stanza in “The Convergence of the Twain” by Thomas Hardy. [1] Czech alexandrine; French alexandrine; Polish alexandrine
The stressed syllables are ordered along the same basic hierarchy of the alliteration; it is very rare that a stressed syllable would be a preposition or pronoun. Words such as God, King, and proper nouns are very frequently stressed. After we apply stresses to the appropriate syllables, we must find the unstressed and secondary-stressed syllables.
Common metre or common measure [1] —abbreviated as C. M. or CM—is a poetic metre consisting of four lines that alternate between iambic tetrameter (four metrical feet per line) and iambic trimeter (three metrical feet per line), with each foot consisting of an unstressed syllable followed by a stressed syllable. The metre is denoted by the ...
If one counted all syllables, not just stressed syllables, such hymns follow what is called an 86.86 pattern, with lines of eight syllables alternating with lines of six syllables. This form is also known as common metre. By contrast most hymns in an 87.87 pattern are trochaic, with strong-weak syllable pairs: Love divine, all loves excelling,
In the late empire, writers experimented again by adding unusual restrictions to the standard hexameter. The rhopalic [38] verse of Ausonius is a good example; besides following the standard hexameter pattern, each word in the line is one syllable longer than the previous, e.g.: Spēs, deus, / aeter/nae stati/ōnis / concili/ātor,
In English poetry, it refers to a meter with three iambic feet. In ancient Greek poetry and Latin poetry, an iambic trimeter is a quantitative meter, in which a line consists of three iambic metra. Each metron consists of the pattern | x – u – |, where "–" represents a long syllable, "u" a short one, and "x" an anceps (either long or short).