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When a repeat calls for a different ending, numbered brackets above the bars indicate which to play the first time (1.), which to play the second time (2.), and so on if necessary. These are called "first-time bars" and "second-time bars", or "first and second endings".
The time loop or temporal loop is a plot device in fiction whereby characters re-experience a span of time which is repeated, sometimes more than once, with some hope of breaking out of the cycle of repetition. [1] Time loops are constantly resetting; when a certain condition is met, such as a death of a character or a certain point in time ...
Teenager Jake visits the ruins of an orphanage that was destroyed by a bombing raid during World War II and discovers that the original inhabitants survived by creating a time loop set to repeat the day of September 3, 1943. [51] Naked: 2017: Rob is caught in a time loop as he keeps waking up naked in a hotel elevator on the day of his wedding ...
A pulse per second (PPS or 1PPS) is an electrical signal that has a width of less than one second and a sharply rising or abruptly falling edge that accurately repeats once per second. PPS signals are output by radio beacons, frequency standards , other types of precision oscillators and some GPS receivers.
The advanced "Level 3" version introduces a 15-second move timer mechanic. Use of the 15-second timer is optional; it does not have to be used. Either player may use the 15-second timer during their opponent's move to force the opponent to complete their move or face a penalty. The 15-second timer can only be turned over when the upper chamber ...
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If possible, ask the sender to resend the message to see if you can get the message a second time. Check for emails in your Spam folder. If you find emails in your Spam folder that don't belong there, you'll need to mark the messages as "not spam." 1. Sign in to AOL Mail. 2. Click the Spam folder. 3. Select the message that isn't spam. 4.
Repeat sign with first and second endings Theodor W. Adorno damned repetition and popular music as psychotic and infantile. In contrast, Richard Middleton (1990) argues that "while repetition is a feature of all music, of any sort, a high level of repetition may be a specific mark of 'the popular'" and that this allows an "enabling" of "an ...