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The Madonna of humility by Domenico di Bartolo 1433 has been described as one of the most innovative devotional images from the early Renaissance [35]. Catholic Marian art has expressed a wide range of theological topics that relate to Mary, often in ways that are far from obvious, and whose meaning can only be recovered by detailed scholarly analysis.
Our Mother of Perpetual Help, Icon of the Virgin Mary, 16th century. St. Catherine's Monastery in the Sinai. The Salus Populi Romani icon, overpainted in the 13th century, but going back to an underlying original dated to the 5th or 6th century Madonna and Child by Filippo Lippi (15th century)
The Virgin Mary has been one of the major subjects of Christian art, Catholic Art and Western Art since Early Christian art and she has been very widely portrayed in iconic "portraits", often known as Madonnas, with the infant Jesus in the Madonna and Child, and in a number of narrative scenes from her life known as the Life of the Virgin, as ...
Today, many Catholic churches dedicated to the Blessed Virgin exist on all continents and, in a sense, their evolving architecture tells the unfolding story of the development of Catholic Mariology. Throughout Catholic history, the veneration of the Blessed Virgin Mary has led to the creation of numerous items of Roman Catholic Marian art.
The Coronation of the Virgin or Coronation of Mary is a subject in Christian art, especially popular in Italy in the 13th to 15th centuries, but continuing in popularity until the 18th century and beyond. Christ, sometimes accompanied by God the Father and the Holy Spirit in the form of a dove, places a crown on the head of Mary as Queen of Heaven.
The alternative Catholic scene from the end of the Virgin Mary's early life is the Death of the Virgin, which was more compatible with the Dormition of the Theotokos in Eastern Orthodox art and theology. Most treatments showed her lying in bed, surrounded by the Twelve Apostles, again reflecting the Golden Legend. [14]