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While over time a Protestant tradition of art developed, the depictions of the Virgin Mary within it have remained minimal, given that most Protestants reject Marian veneration and view it as a Catholic excess. [87] [88] [89] The use of Marian Sacramentals such as the Brown Scapular is a distinguishing feature of Catholic art.
Death of the Virgin, Assumption of the Virgin Mary in art, Coronation of the Virgin although doctrine avoids stating whether Mary was alive or dead when she was bodily taken up to Heaven, she is normally shown in art as alive. Depicting the Coronation of Mary as Queen of the Heavens by her son, Jesus Christ, sometimes combined with the ...
The Virgin appearing to St. Bernard; Virgin in Glory with Saints; The Virgin in Prayer; Virgin Mary (El Greco, Madrid) Virgin Mary (El Greco, Strasbourg) The Virgin Mary and Saint Francis Saving the World from Christ's Anger; The Virgin Mary as a Child Praying; The Virgin of Charity (El Greco) Virgin of Mercy (Filippo Lippi) Virgin of Mercy ...
Saint Luke Drawing the Virgin, by Rogier van der Weyden, c. 1435–40, Museum of Fine Arts in Boston. Saint Luke painting the Virgin (German and Dutch: Lukas-Madonna) is a devotional subject in art showing Luke the Evangelist painting the Virgin Mary with the Child Jesus.
The alternative Catholic scene from the end of the Virgin Mary's early life is the Death of the Virgin, which was more compatible with the Dormition of the Theotokos in Eastern Orthodox art and theology. Most treatments showed her lying in bed, surrounded by the Twelve Apostles, again reflecting the Golden Legend. [14]
Scenes depicting the Annunciation represent the perpetual virginity of Mary via the announcement by the angel Gabriel that Mary would conceive a child to be born the son of God. The scene is an invariable one in cycles of the Life of the Virgin, and often included as the initial scene in those of the Life of Christ.