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Bill Monroe's Bluegrass Hall of Fame Museum in Morgantown, Indiana. He founded the Hall in 1984. Even after the folk revival faded in the mid-1960s, it left a loyal audience for bluegrass music. Bluegrass festivals became common, with fans often traveling long distances to see a number of different acts over several days of performances.
Bill Monroe & His Bluegrass Boys 1950-72: MCA: 9269-71: 3 vol; Japanese issue - 1976: Bluegrass Special Vol.2: BS: 3: French issue 1976: Bill Monroe & His Bluegrass Boys Vol.1: CBS Sony: 20AP11: Japanese issue 1976: Bill Monroe & His Bluegrass Boys Vol.2: CBS Sony: 20AP12: Japanese issue 1976: New Greatest Hits: CBS Sony: 20AP27: Japanese issue ...
Bessie Lee Mauldin (December 28, 1920 – February 8, 1983) [1] was an American bluegrass bassist, singer, songwriter, and a member of the bluegrass band “Bill Monroe and the Blue Grass Boys” from 1953–1964. [2] Bessie Lee was nicknamed "The Carolina Songbird" by Bill Monroe.
He was one of the first bluegrass "bass players." Bill Monroe selected Amos Garren to become his bass player after the band moved to Greenville, South Carolina. Amos Garren was hired in 1942, as Bill Monroe, known now as the "father of bluegrass music", was assembling his band. Garren died on May 10, 1977. [2]
Bluegrass music is a genre of American roots music that developed in the 1940s in the Appalachian region of the United States. [1] The genre derives its name from the band Bill Monroe and the Blue Grass Boys . [ 2 ]
Beginning in 1949, Martin was lead vocalist for Bill Monroe's Blue Grass Boys. [2] Martin's high voice mixed with Monroe's tenor came to be known as the "high lonesome" sound. His influence radically changed Monroe's music from the fast-paced but smooth style of the "original" 1945 band with Flatt and Scruggs. Martin challenged Monroe to raise ...