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In geometry, a golden rectangle is a rectangle with side lengths in golden ratio +:, or :, with approximately equal to 1.618 or 89/55. Golden rectangles exhibit a special form of self-similarity : if a square is added to the long side, or removed from the short side, the result is a golden rectangle as well.
A golden rectangle—that is, a rectangle with an aspect ratio of —may be cut into a square and a smaller rectangle with the same aspect ratio. The golden ratio has been used to analyze the proportions of natural objects and artificial systems such as financial markets , in some cases based on dubious fits to data. [ 8 ]
The Section d'Or ("Golden Section"), also known as Groupe de Puteaux or Puteaux Group, was a collective of painters, sculptors, poets and critics associated with Cubism and Orphism. Based in the Parisian suburbs, the group held regular meetings at the home of the Duchamp brothers in Puteaux and at the studio of Albert Gleizes in Courbevoie . [ 1 ]
For example, a golden spiral can be approximated by first starting with a rectangle for which the ratio between its length and width is the golden ratio. This rectangle can then be partitioned into a square and a similar rectangle and this rectangle can then be split in the same way. After continuing this process for an arbitrary number of ...
For example, start with a 1-by-Φ rectangle, where Φ is the golden ratio. Add an adjacent Φ-by-Φ square and get another golden rectangle. Add an adjacent (1+Φ)-by-(1+Φ) square and get a larger golden rectangle, and so on. Now, in order to separate more than 1/3 of the shapes, the separator must separate O(N) shapes from two different vertices.
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Derek Haylock [60] claims that the opening motif of Ludwig van Beethoven's Symphony No. 5 in C minor, Op. 67 (c. 1804–08), occurs exactly at the golden mean point 0.618 in bar 372 of 601 and again at bar 228 which is the other golden section point (0.618034 from the end of the piece) but he has to use 601 bars to get these figures. This he ...
Divina proportione (15th century Italian for Divine proportion), later also called De divina proportione (converting the Italian title into a Latin one) is a book on mathematics written by Luca Pacioli and illustrated by Leonardo da Vinci, completed by February 9th, 1498 [1] in Milan and first printed in 1509. [2]