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Fantasy is a genre of speculative fiction which involves themes of the supernatural, magic, and imaginary worlds and creatures. [1] [2] Its roots are in oral ...
Fantasy can be described as all of the following: Genre – any category of literature or other forms of art or entertainment, e.g. music, whether written or spoken, audial or visual, based on some set of stylistic criteria. For example, jazz is a genre of music. Fantasy is a genre of fiction, and more specifically, a genre of speculative fiction.
Fantasy literature is literature set in an imaginary universe, often but not always without any locations, events, or people from the real world. Magic, the supernatural and magical creatures are common in many of these imaginary worlds. Fantasy literature may be directed at both children and adults.
High fantasy, or epic fantasy, is a subgenre of fantasy [1] defined by the epic nature of its setting or by the epic stature of its characters, themes, or plot. [2] High fantasy is usually set in an alternative, fictional ("secondary") world , rather than the "real" or "primary" world. [ 2 ]
Fantasy-prone personality (FPP) is a disposition or personality trait in which a person experiences a lifelong, extensive, and deep involvement in fantasy. [1] This disposition is an attempt, at least in part, to better describe "overactive imagination " or "living in a dream world ". [ 2 ]
A post-Tolkien interpretation of a fantasy elf, from the Wesnoth fantasy setting, 2011. In many works of modern fantasy, elves are depicted as a race or species of pointy-eared humanoid beings.
Although many fantasy novels of this time proved popular, it was not until 1977's The Sword of Shannara that publishers found the sort of breakthrough success they had hoped for. The book became the first fantasy novel to appear on, and eventually top the New York Times bestseller list. As a result, the genre saw a boom in the number of titles ...
The conflict of good against evil is a theme in the many popular forms of fantasy; normally, evil characters invade and disrupt the good characters' lands. [2] J. R. R. Tolkien delved into the nature of good and evil in The Lord of the Rings, but many of those who followed him use the conflict as a plot device, and often do not distinguish the sides by their behavi