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[1] Harkins said that he had originally written the poem down in the margin of his copy of Dylan Thomas' verse Once It Was The Colour Of Saying, but after reading of its use at the Queen Mother's funeral had removed the page and sent it as a gift to Prince Charles, who thanked him. [3] [2]
The soldier's father read the poem on BBC radio in 1995 in remembrance of his son, who had left the poem among his personal effects in an envelope addressed 'To all my loved ones'. The poem's first four lines are engraved on one of the stones of the Everest Memorial, Chukpi Lhara, in Dhugla Valley, near Everest. Reference to the wind and snow ...
The Celticist Rachel Bromwich pointed out that the theme of birds singing at the funeral of a poet who died from love appears in three Old French poems, and that birdsong is metaphorically described as "Latin" in the Roman de la Rose and other French poems of the period. One of them, Li Fablel dou Dieu d'Amors, combines both features. [10]
The pastoral elegy is typically incredibly moving and in its most classic form, it concerns itself with simple, country figures. In ordinary pastoral poems, the shepherd is the poem's main character. In pastoral elegies, the deceased is often recast as a shepherd, despite what his role may have been in life.
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The poem opens with a man standing over his fiancée's grave in the rain after her funeral. Everyone else has gone, but this man will not leave. Flowers were tossed into the grave by loved ones, and the man picks one of these up and muses that there is something terrible about a flower, and about a child, who smiled during the funeral.