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The Yamaha M7CL is a digital mixer that was introduced by Yamaha Pro Audio in 2005. [1] Two models with onboard analog input exist: the M7CL-32 and M7CL-48. These models have 40 (32 microphone and 4 stereo line)- and 56 (48 microphone and 4 stereo line)-input channels respectively, counting mono channels.
Behringer: Wing [45] Digital mixer: Dante AES67: Tieline: Gateway, Gateway 4 [61] Audio Codecs: Ravenna AES67, Livewire+, WheatNet-IP [clarification needed] Cisco: Collaboration devices [62] Interoperability with microphones and speakers: Native AES67: Digisynthetic DL08 [63] AES67+DSP Network Module Digisyn Link AES67 2-Channel Virtual Sound ...
The PM5000 was a hybrid analog mixer with a digital control system which provided scene recall. [5] In 1999, Yamaha debuted a first of its kind, all digital large format console, The PM1D system. With scalable I/O configuration the total channel count could be brought up to 320 mic inputs.
The X32 Digital Mixing Console is a digital mixing console conceived and designed by German manufacturer Behringer. The console features 40-input channels , 25- bus , 32 XLR microphone input and 16 XLR output busses.
PSR-OR700 (2007, Oriental version of Yamaha PSR-S700) PSR-A2000 (2012, Oriental model and black version of Yamaha PSR S710. And the first A series whose Pitch Band and Modulation uses a Joystick) PSR-A3000 (2016, Oriental version based on Yamaha PSR-S770 and first A Series to have multiple colours in the board)
Midas parent Klark Teknik took over the SuperMAC and HyperMAC patents in 2007, then in 2009 Midas and Klark Teknik were acquired by Uli Behringer's Music Group. The AES50 protocol is implemented in digital mixing consoles by Midas and Behringer to transfer digital audio between a console and remote stage boxes .