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The euphonium is a medium-sized, 3- or 4-valve, often compensating, conical-bore, tenor-voiced brass instrument that derives its name from the Ancient Greek word εὔφωνος euphōnos, [2] meaning "well-sounding" or "sweet-voiced" (εὖ eu means "well" or "good" and φωνή phōnē means "sound", hence "of good sound").
A verrophone ("glass-euphonium") is a musical instrument, invented in 1983 by Sascha Reckert, [1] which, "uses tuned glass tubes," [2] open at one end and arranged in various sizes (usually in a chromatic scale, arranged from large to small, like the pipes of a pipe organ).
Euphonium: B ♭ 2: When notated in treble clef fife Folk B ♭ fife: A ♭ 4: Flute: D ♭ piccolo: D ♭ 5: Piccolo: C 5: Treble flute: G 4: F soprano flute: F 4: Soprano flute: E ♭ 4: D ♭ Flute D ♭ 4: B ♭ flûte d'amour: B ♭ 3: A flûte d'amour A 3: Alto flute: G 3: Bass flute: C 3: Contra-alto flute G 2: Contrabass flute C 2 ...
Chord diagrams for some common chords in major-thirds tuning. In music, a chord diagram (also called a fretboard diagram or fingering diagram) is a diagram indicating the fingering of a chord on fretted string instruments, showing a schematic view of the fretboard with markings for the frets that should be pressed when playing the chord. [1]
Some instruments are constructed in a variety of sizes, with the larger versions having a lower range than the smaller ones. Common examples are clarinets (the high E ♭ clarinet, soprano instruments in C, B ♭ and A, the alto in E ♭, and the bass in B ♭), flutes (the piccolo, transposing at the octave, the standard concert-pitch flute, and the alto flute in G), saxophones (in several ...
A chromatic scale exercise from Arban's Method. Arban's series on scales includes studies of major, minor, and chromatic scales, as well as numerous variations thereof. Arban admits to giving minor scales "limited treatment," but Gordon refutes this by citing the nonexistence of "limits on the use of the Trumpet and Cornet." [3]: 57
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Bach's new fingering retained many features of the conventional fingering up until that point, including the passing of one finger under or over another (playing many of Bach's works requires such fingering, especially passing the third finger over the fourth or the fourth finger over the fifth.), but introduced the far greater use of the thumb.