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At the time, it was the world's largest building and considered the epitome of Byzantine architecture. [9] The cathedral was decorated throughout with what were undoubtedly some of the most incredible figurative mosaics of this time period, but unfortunately these were all destroyed during the Iconoclasms that followed. The oldest mosaics that ...
Byzantine art comprises the body of artistic products of the Eastern Roman Empire, [1] as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of western Rome and lasted until the Fall of Constantinople in 1453, [2] the start date of the Byzantine period is rather clearer in art history than in political history, if still ...
Many artists of this period sought to evoke classical elements in their work and this resulted in a tendency to incorporate classical Greco-Roman principles into Byzantine art. [9] The various thematic elements showcased in the mosaic demonstrate how the artist incorporated styles from multiple cultures when constructing this piece.
From the Byzantine-period perspective, the west side of the lower Jordan Valley near Jericho was included in the same region, although geographically it can be regarded as separate. The Monastery of Martyrius was founded in the end of the 5th century and it was re-discovered in 1982-85. The most important work of art here is the intact ...
Macedonian art is the art of the Macedonian Renaissance in Byzantine art style. The period in which the art was produced, the Macedonian Renaissance, followed the end of the Byzantine iconoclasm era lasting from 867-1056, concluding with the fall of the Macedonian dynasty .
One of the earliest examples of Byzantine enamel work is a medallion created in either the late 5th or early 6th century and features a bust portrait of Empress Eudoxia. [13] The period after Iconoclasm saw an upswing in the production of iconic portraits, to which the intricate form of cloisonné developed by the Byzantines lends itself easily.
Byzantine glass silver-stained bracelet, dated 1100–1400, on display at the Metropolitan Museum of Art. Similar bracelets have been found throughout the Byzantine empire. [10] In the middle Byzantine period, Byzantine glass-makers adopted silver-staining techniques from the Arab world. Silver-stained glass is created by applying a metallic ...
The Palaeologan Renaissance or Palaiologan Renaissance is the final period in the development of Byzantine art. Coinciding with the reign of the Palaiologoi , the last dynasty to rule the Byzantine Empire (1261–1453), it was an attempt to restore Byzantine self-confidence and cultural prestige after the empire had endured a long period of ...