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Examples include poems by Simmias of Rhodes in the shape of an egg, [2] wings [3] and a hatchet, [4] as well as Theocritus' pan-pipes. [5] The post-Classical revival of shaped poetry seems to begin with the Gerechtigkeitsspirale (spiral of justice), a relief carving of a poem at the pilgrimage church of St. Valentin, Kiedrich.
The text and shape relate to each other, the latter usually giving added meaning to the poem itself. The tradition of shaped poetry goes back to Greek poets writing in Alexandria before the Common Era but most examples date from later and were written by European Christian poets during the Baroque period.
A diamante poem is a poem that makes the shape of a diamond. The poem can be used in two ways, either comparing and contrasting two different subjects, or naming synonyms at the beginning of the poem and then antonyms for the second half for a subject. In the poems, the subject is named in one word in the first line.
A copy of the manuscript written for presentation to the Cambridge University press in 1633. Herbert's poetry may be referred to the 16th century tradition of the emblem, which combines a motto with a simple symbolic picture and poetic explanation, [4] as well as, in the case of “Easter Wings”, the example of Greek shaped poetry.
Carmen figuratum (plural: carmina figurata) is a poem that has a certain shape or pattern formed either by all the words it contains or just by certain ones therein. [1] An example is France Prešeren's "Zdravljica", where the shape of each stanza resembles a wine cup.
A lanterne is a cinquain form of poetry, in which the first line has one syllable and each subsequent line increases in length by one syllable, except for the final line that concludes the poem with one syllable. Its name derives from the lantern shape that appears when the poem is aligned to the center of the page.
Ekphrastic poetry may be encountered as early as the days of Homer, whose Iliad (Book 18) describes the Shield of Achilles, with how Hephaestus made it as well as its completed shape. [5] Famous later examples are found in Virgil's Aeneid, for instance the description of what Aeneas sees engraved on the doors of Carthage's temple of Juno, and ...
A treatise on poetry by Diomedes Grammaticus is a good example, as this work categorizes dactylic hexameter verses in ways that were later interpreted under the golden line rubric. Independently, these two trends show the form becoming highly artificial—more like a puzzle to solve than a medium for personal poetic expression.