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"You Got It" is a song from American singer Roy Orbison's 22nd studio album, Mystery Girl (1989). The song was released posthumously on January 3, 1989, after Orbison's death from a heart attack on December 6, 1988. The song was issued with "The Only One" as the B-side and was later released with "Crying" (version with k.d. lang).
Roy Kelton Orbison (April 23, 1936 – December 6, 1988) was an American singer, songwriter, and guitarist known for his distinctive and powerful voice, complex song structures, and dark, emotional ballads.
Roy Orbison (April 23, 1936 – December 6, 1988) was an American singer-songwriter who found the most success in the early rock and roll era from 1956 [1] to 1964. He later enjoyed a resurgence in the late 1980s with chart success as a member of the Traveling Wilburys and with his Mystery Girl album, which included the posthumous hit single "You Got It". [2]
"Anything You Want", a song by April Wine from the 2002 album I Like to Rock ... "You Got It", a 1989 song by Roy Orbison This page was last edited on ...
The Orbison Way is the eighth album recorded by Roy Orbison, and his second for MGM Records, released in January 1966.Two singles were taken from the album — "Crawling Back" and "Breakin' Up Is Breakin' My Heart" — both of which were chart hits in England, the US and Australia.
According to the authorised Roy Orbison biography, [3] this was Orbison's third album on the Monument label, and his first greatest hits compilation. It was a success remaining in the charts for 140 weeks, [ 2 ] when it debuted on the Billboard Top LPs chart in the issue dated September 1 that year, peaking at number 13.
Roy Orbison, who passed away two months after the release of Vol. 1, is sorely missed on Vol. 3—without his velvety croon, the Wilburys are Bob Dylan and three guys whose singing voices can be ...
In a contemporary review for Rolling Stone, David Wild described "Not Alone Any More" as "Totally boss" and added: "[The song] is a gorgeous pop ballad on which Roy Orbison – assisted by some wonderful backing vocals from Harrison and Lynne – hurts as good as he ever has. It proves that Orbison has lost none of his tremendous vocal prowess ...