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Wood type in close-up. In letterpress printing, wood type is movable type made out of wood.First used in China for printing body text, wood type became popular during the nineteenth century for making large display typefaces for printing posters, because it was lighter and cheaper than large sizes of metal type.
This makes it suitable for use in both print design (books, magazines, newspapers, posters etc.) and web applications. Additionally, it is an open source typeface, [5] meaning users can use it without cost or the need to credit the creator. Archivo and its variants are available for download from GitHub, [6] Google Fonts, [7] and other sources ...
A 1969 Swiss poster in International Typographic Style A 1959 Swiss poster. The style emerged from a desire to represent information objectively, free from the influence of associated meaning. The International Typographic Style evolved as a modernist graphic movement that sought to convey messages clearly and in a universally straightforward ...
Auriol is a display typeface created by George Auriol in 1901 for the G. Peignot et Fils foundry in Paris. George Auriol has been called the "quintessential Art Nouveau designer" according to Steven Heller and Louise Fili. [1]
French Clarendon designs were often created in wood type, used for large-print letters on posters. They are often associated with "wild-west" printing and seen on circus posters and wanted notices in western movies, although the style was really used in many parts of the world during this period. The style is sometimes called "circus letter".
Armin Hofmann, Poster for Kunsthalle Basel, 1959. Swiss style (also Swiss school or Swiss design) is a trend in graphic design, formed in the 1950s–1960s under the influence of such phenomena as the International Typographic Style, Russian Constructivism, the tradition of the Bauhaus school, the International Style, and classical modernism.