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UK copyright law has a set of exceptions to copyright, only some of which are referred to as fair dealing. Database right has a similar set of exceptions. Fair dealing is much more restricted than the American concept of fair use. It only applies in tightly defined situations, and outside those situations, it is no defence at all against a ...
Music. Japanese Society for Rights of Authors, Composers and Publishers (JASRAC) - Largest CMO in Japanese music industries. NexTone Inc. - Merged between Japan Rights Clearance Inc. and e-License in 2016. Music People's Nest (MPN) Visual arts
The Music Publishers Association, the trade association for music publishers in the UK, became the owners of MCPS in 1976 and remain so to this day. [2] This union establishes MCPS as the only collection society which is publisher-led.
A rights deal was settled in September 2009 between PRS for Music and Google that allowed YouTube users in UK to view music videos. [32] Wiltshire Constabulary refused to pay PRS for Music for a £32,000 licence fee in April 2009. Instead the force told all officer and civilian staff that music could no longer be played in their workplaces but ...
UK Ltd and others [2012] - This case established that football fixture lists are not protected by copyright if the compilation is not the authors own intellectual creation even if the compilation required significant labor, judgement and skill [at 42]. [18]
Music licensing is the licensed use of copyrighted music. [1] Music licensing is intended to ensure that the owners of copyrights on musical works are compensated for certain uses of their work. A purchaser has limited rights to use the work without a separate agreement.
Community Orchestras, which mostly play classical works in the public domain, may occasionally play a work within copyright, but are forced to pay licenses to rights societies on all concert revenues including concerts where all music is in the public domain, which is then distributed to songwriters of pop songs.
PPL's field of operation is distinct from the UK's other main music copyright collective previously known as the "Performing Right Society", [9] now called PRS for Music, which was founded in 1914 and originally collected fees for live performance of sheet music. [10] [11]
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