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High fantasy, or epic fantasy, is a subgenre of fantasy [1] defined by the epic nature of its setting or by the epic stature of its characters, themes, or plot. [2] High fantasy is usually set in an alternative, fictional ("secondary") world , rather than the "real" or "primary" world. [ 2 ]
This subgenre is common among role-playing games, text-based roleplaying, and high-fantasy literature. Wuxia – distinct quasi-fantasy subgenre of the martial arts genre. Juvenile fantasy – children's literature with fantasy elements: fantasy intended for readers not yet adult. The protagonists are usually children or teens who have unique ...
Fantasy is a genre of speculative fiction which involves themes of the supernatural, magic, and imaginary worlds and creatures. [1] [2]Its roots are in oral traditions, which became fantasy literature and drama.
Some argue that fantasy literature and its archetypes fulfill a function for individuals and society and the messages are continually updated for current societies. [77] Ursula K. Le Guin, in her essay "From Elfland to Poughkeepsie", presented the idea that language is the most crucial element of high fantasy, because it creates a sense of ...
Articles relating to high fantasy, a subgenre of fantasy defined by the epic nature of its setting or by the epic stature of its characters, themes, or plot. High fantasy is set in an alternative, fictional ("secondary") world, rather than the "real" or "primary" world. This secondary world is usually internally consistent, but its rules differ ...
Fantasy-prone personality (FPP) is a disposition or personality trait in which a person experiences a lifelong, extensive, and deep involvement in fantasy. [1] This disposition is an attempt, at least in part, to better describe "overactive imagination " or "living in a dream world ". [ 2 ]
Romantasy novels meld high fantasy with steamy love stories to the delight of readers, like Sarah J. Maas’ “A Court of Thorns and Roses” and Rebecca Yarros’ “Fourth Wing.”
It was the advent of high fantasy, in particular J. R. R. Tolkien's The Hobbit and The Lord of the Rings, which allowed fantasy to truly enter into the mainstream. Tolkien had published The Hobbit in 1937 and The Lord of the Rings in the 1950s; while the first was a fairy tale fantasy, the second was an epic fantasy that expanded upon the ...