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"If We Must Die" is a poem by Jamaican-American writer Claude McKay (1890–1948) published in the July 1919 issue of The Liberator magazine. McKay wrote the poem in response to mob attacks by white Americans upon African-American communities during the Red Summer. The poem does not specifically reference any group of people, and has been used ...
Festus Claudius "Claude" McKay OJ (September 15, 1890 [1] – May 22, 1948) was a Jamaican-American writer and poet. He was a central figure in the Harlem Renaissance.. Born in Jamaica, McKay first travelled to the United States to attend college, and encountered W. E. B. Du Bois's The Souls of Black Folk which stimulated McKay's interest in political involvement.
To The White Fiends is a Petrarchan sonnet by Claude McKay. [1] [2] The Poetry Foundation describes it as one of McKay's most famous works from the late 1910s. [3]In 2018 the scholar Timo Muller described it as "a pivotal text in the history of the black protest sonnet" and notes that it was McKay's first to reach a "wider audience". [4]
Songs of Jamaica is the first book published by the African-Jamaican writer Claude McKay, which appeared in January 1912. [1] The Institute of Jamaica awarded McKay the Silver Musgrave Medal for this book and a second volume, Constab Blues, also published in 1912. He used the associated stipend to fund a trip to the United States of America. [2 ...
By the end of the First World War, the fiction of James Weldon Johnson and the poetry of Claude McKay were describing the reality of contemporary African-American life in America. The Harlem Renaissance grew out of the changes that had taken place in the African-American community since the abolition of slavery, as the expansion of communities ...
The New Negro: An Interpretation (1925) is an anthology of fiction, poetry, and essays on African and African-American art and literature edited by Alain Locke, who lived in Washington, DC, and taught at Howard University during the Harlem Renaissance. [1]
The Messenger was an early 20th-century political and literary magazine by and for African-American people in the United States. It was important to the flowering of the Harlem Renaissance and initially promoted a socialist political view.
The poets listed below were either born in the United States or else published much of their poetry while living in that country. This is a dynamic list and may never be able to satisfy particular standards for completeness.