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Mae Carol Jemison was born in Decatur, Alabama, on October 17, 1956, [1] [2] the youngest of three children of Charlie Jemison and Dorothy Jemison (née Green). [3] Her father was a maintenance supervisor for a charity organization, and her mother worked most of her career as an elementary school teacher of English and math at the Ludwig van Beethoven Elementary School in Chicago, Illinois.
Title Year Release Songwriter(s) Notes "All Right Now" 1970 Fire and Water: Rodgers/Fraser "Be My Friend" 1970 Highway: Rodgers/Fraser "Bodie" 1970 Highway: Rodgers/Fraser
By 2018, Majesty Music had released 39 Patch the Pirate albums, sold more than a million recordings, and produced more than 800 of Hamilton's songs. [2] In 1984, Majesty Music created Patch the Pirate clubs and published material for them that included Bible studies, devotional material, and elementary music theory lessons.
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Bluford Drew Jemison STEM Academy West, a middle/high school in Baltimore, Maryland, is named in his honor (along with Charles Drew and Mae Jemison). On October 8, 2021, a building on the main campus of The Pennsylvania State University in its Innovation Park was named the Guion S. Bluford Jr. Building in his honor.
It is named for Mae Jemison, a native of nearby Decatur, Alabama who was the first African-American female astronaut. [ 2 ] The school is built on the same campus as McNair Junior High School, which is named for the late Ronald McNair , the second African-American astronaut in space, who was killed in the explosion of the space shuttle Challenger .
The LeFevres became instrumental in the gospel music industry in Atlanta; they owned and operated their own recording studio, LeFevre Sound and also published sheet music for the gospel market. Additionally, they produced syndicated television shows for gospel and country music singers and owned a booking agency with regional operations.
Say Amen, Somebody gives an overview of the history of gospel music in the U.S. by following two main figures: Thomas A. Dorsey, considered the "Father of Gospel Music," 83 at the time of filming, recalls how he came to write his most famous song, "Take My Hand, Precious Lord" (1932), and the difficulty he faced introducing gospel blues to black churches in the early 1930s.