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The actual pronunciation of a foreign "v sound" is normally not distinguished from a Japanese /b/: for example, there is no meaningful phonological or phonetic difference in pronunciation between Eruvisu (エルヴィス) and Erubisu (エルビス, Elvis"), or between vaiorin (ヴァイオリン) and baiorin (バイオリン, "violin") [159 ...
Tsu (hiragana: つ, katakana: ツ) is one of the Japanese kana, each of which represents one mora. Both are phonemically /tɯ/ , reflected in the Nihon-shiki and Kunrei-shiki Romanization tu , although for phonological reasons , the actual pronunciation is [t͡sɯᵝ] ⓘ , reflected in the Hepburn romanization tsu .
This is the pronunciation key for IPA transcriptions of Japanese on Wikipedia. It provides a set of symbols to represent the pronunciation of Japanese in Wikipedia articles, and example words that illustrate the sounds that correspond to them.
It is an intuitive method of showing Anglophones the pronunciation of a word in Japanese. It was standardized in the United States as American National Standard System for the Romanization of Japanese (Modified Hepburn), but that status was abolished on October 6, 1994. Hepburn is the most common romanization system in use today, especially in ...
Many words and grammar structures in Kansai dialect are contractions of their classical Japanese equivalents (it is unusual to contract words in such a way in standard Japanese). For example, chigau (to be different or wrong) becomes chau , yoku (well) becomes yō , and omoshiroi (interesting or funny) becomes omoroi .
The Tokyo dialect (Tōkyō hōgen, Tōkyō-ben, Tōkyō-go (東京方言, 東京弁, 東京語)) is a variety of Japanese language spoken in modern Tokyo. As a whole, it is generally considered to be Standard Japanese, though specific aspects of slang or pronunciation can vary by area and social class. Yamanote (red) and Shitamachi (blue)
Kungana (訓仮名, translation kana): magana for transcribing Japanese words, using Japanese translations ascribed to kanji (native "readings" or kun'yomi). For example, Yamato (大和) would be spelt as 八間跡, with three magana with kun'yomi for ya, ma and to; likewise, natsukashi (懐かし, evoking nostalgia) spelt as 夏樫 for natsu ...
If the word has an accent on the last mora, the pitch rises from a low start up to a high pitch on the last mora. Words with this accent are indistinguishable from accentless words unless followed by a particle such as が ga or に ni, on which the pitch drops. In Japanese this accent is called 尾高型 odakagata ("tail-high").