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When Coulson finally got to examine the bed when it was delivered to his studio a few weeks after the sale he was immediately struck by the age of the wood, noting the degree of oxidisation, shrinkage, the damage caused by extensive woodworm infestation, that the carvings had been made by hand rather than by machine – all of which suggested to him that this was a bed of a considerable age.
Ornamentation is minimal, in contrast to earlier 17th-century and William and Mary styles, which prominently featured inlay, figured veneers, paint, and carving. The cabriole leg is the "most recognizable element" of Queen Anne furniture.
Ralph Grynder or Grinder (died 1654) was a London-based furniture maker and upholsterer who worked for Charles I of England and Henrietta Maria. He bought and sold art treasures from the Royal Collection in 1651.
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A William and Mary style cabinet with oyster veneering and parquetry inlays. What later came to be known as the William and Mary style is a furniture design common from 1700 to 1725 in the Netherlands, Kingdom of England, Kingdom of Scotland and Kingdom of Ireland, and later in England's American colonies.
English furniture has developed largely in line with styles in the rest of northern Europe, but has been interpreted in a distinctive fashion.
In an English auction, all current bids are visible to all bidders and in a sealed-bid auction, bidders only get to know if their bid was the best. Best/not best auctions are sealed-bid auctions with multiple bids, where the bidders submit their prices like in English auction and get responses about the leadership of their bid. [74]
The sofa or couch may have been made for the royal family and brought to Knole sometime in the 17th or 18th century. It was probably originally described as a couch or couch chair. [ 5 ] A London furniture maker and upholsterer, Ralph Grynder , made couches for Henrietta Maria in the 1630s, and these were supplied with suites of matching chairs ...