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Tybalt, a kinsman of the Capulets and cousin to Juliet, is dueling with Mercutio, a friend of Romeo from the Montague family. Romeo and Benvolio attempt to break up the fight. Mercutio, distracted, does not see his opponent and is fatally wounded by Tybalt under Romeo's arm. Feeling his death approaching, Mercutio declares:
Mercutio's death in Act III, scene I is the pivotal point of the play, which up to this point is relatively light-hearted. [7] Mercutio's death is sudden and makes death a dark reality for several characters, causing a domino effect that leads ultimately to the tragic climax .
Mercutio is the instigator of many fights with his rather mean spirited humor, and often insults Tybalt, a renowned swordsman. It is Tybalt's temper that leads to Mercutio's death, and Romeo's banishment and the tragedy that follows. After Romeo receives a death threat from Tybalt, Mercutio expects Romeo to engage Tybalt in a duel.
In Romeo and Juliet, Shakespeare employs several dramatic techniques that have garnered praise from critics, most notably the abrupt shifts from comedy to tragedy (an example is the punning exchange between Benvolio and Mercutio just before Tybalt arrives). Before Mercutio's death in Act III, the play is largely a comedy. [71]
Despite Romeo's efforts to stop the fight, Tybalt mortally wounds Mercutio, who curses both the Montague and Capulet houses before dying. Enraged over his friend's death, Romeo retaliates by fighting Tybalt and killing him. Romeo is subsequently punished by the Prince with banishment from Verona, with the threat of death if he ever returns.
In that scene, he drags the fatally wounded Mercutio offstage, before returning to inform Romeo of Mercutio's death and the Prince of the course of Tybalt and Mercutio's deaths. Benvolio then disappears from the play (though, as a Montague, he may implicitly be included in the stage direction in the final scene "Enter Lord Montague and others ...
On June 3, 2010, Emmy Award winner Rue McClanahan died of a stroke at New York–Presbyterian Hospital. She was 76, and despite the fact that her life was riddled with ailments and health crises ...
Mercutio also mentions her age, calling her an "ancient lady" as he exits from the same scene. Some illustrations even depict her as an obese or big boned woman, because of how Mercutio insults her. He calls "A sail! A sail!", meaning he thinks that the nurse is as big as a ship. The Nurse is also a frequent user of malapropisms. Her view of ...