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Robert Frank (November 9, 1924 – September 9, 2019) was a Swiss American photographer and documentary filmmaker. His most notable work, the 1958 book titled The Americans , earned Frank comparisons to a modern-day de Tocqueville for his fresh and nuanced outsider's view of American society.
The Americans is a photographic book by Robert Frank which was highly influential in post-war American photography. It was first published in France in 1958, and the following year in the United States. The photographs were notable for their distanced view of both high and low strata of American society.
Robert Frank, a renowned Swiss photographer and documentary filmmaker, is the subject of a full-length film titled "Leaving Home Coming Home: A Portrait of Robert Frank. [6]" This film explores the intersection of Frank's personal life and his artistic vision, resulting in his powerful and textured images.
This is a list of photographs considered the most important in surveys ... (collection of 11 photographs) 6 June 1944 Robert Capa: ... Robert Frank: New Orleans ...
#89 78-Year-Old Robert T. Lincoln (Son Of Abraham Lincoln) Is Helped Up The Steps At The Dedication Of The Lincoln Memorial In Washington D.C., 1922 ... #107 In A Private Reunion, Frank Sinatra ...
Don't Blink – Robert Frank has received positive reviews from critics. Review aggregator Rotten Tomatoes gives the film an approval rating of 84%, based on 32 reviews, with an average rating of 6.7/10. [2] On Metacritic, the film has a score of 75 out of 100, based on 10 critics, indicating "generally favorable reviews". [3]
In Bezner, Lili Corbus (1999), Photography and politics in America : from the New Deal into the Cold War, Johns Hopkins University Press; Wantage : University Presses Marketing, ISBN 978-0-8018-6187-1; Gedney, W and Donaghy, D. ‘From The family of man (1955) to Robert Frank. William.’ In Mora, Gilles (2007), 1945-.
Swiss-American photographer Robert Frank is generally credited with developing a counterstrain of more personal, evocative, and complex documentary, exemplified by his work in the 1950s, published in the United States in his 1959 book, The Americans.