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A common name for the maebyeong is the "male vase". [8] The corresponding "female vase" is called a ju-byeong (Korean: 주병) . [9] South Korean potters frequently make sets of matching maebyeong and jubyeong vases that are usually purchased as a gift for a newly wed couple. [10]
Maebyeong (prunus vase; meiping in Chinese): The Goryeo maebyeong shows the integration of Chinese elements by Goryeo potters; the shape of the prunus vase was influenced by the Chinese wares produced by the Ru, Ding, Jingdezhen, Yaozhou, and Cizhou kilns which existed during the Northern Song dynasty.
They may have lids, and many lids have no doubt been lost. The equivalent shape in Korean ceramics, where it was derived from Chinese examples, is called a Maebyeong. A distinct variant is the "truncated meiping", where there is only the top half of the usual shape, giving a squat vase with a wide bottom. This is largely restricted to Cizhou ...
While the forms generally seen are broad-shouldered jars, larger low jars or shallow smaller jars, highly decorated celadon cosmetic boxes, and small slip-inlaid cups, the Buddhist potteries also produced melon-shaped vases, chrysanthemum cups often of spectacularly architectural design on stands with lotus motifs and lotus flower heads.
Goryeo ware (Korean: 고려도자기, romanized: Goryeo dojagi, also known as Goryeo cheong-ja) refers to all types of Korean pottery and porcelain produced during the Goryeo dynasty, from 918 to 1392, [1] [2] but most often refers to celadon (greenware).
White porcelain jar, 18th century, Joseon Korea. Unlike Goryeo ware, which are glazed with the rich vibrant color of celadon and often featured characteristics of nature, Joseon white porcelains (baekja) are characterized by the beauty of modest forms, and minimal use of color, which conveyed the ideals of Korean Confucian state, that was preeminent at the time.