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"Blue in Green" is the third piece on Miles Davis' 1959 album Kind of Blue. ... which is quite unusual for jazz, an idiom that tends to thrive in 8-, 12-, or 16-bar ...
Kind of Blue is a studio album by the American jazz trumpeter and composer Miles Davis.It was released on August 17, 1959, by Columbia Records.For the recording, Davis led a sextet featuring saxophonists John Coltrane and Julian "Cannonball" Adderley, pianist Bill Evans, bassist Paul Chambers, and drummer Jimmy Cobb, with new band pianist Wynton Kelly replacing Evans on one track, "Freddie ...
Portrait in Jazz is the fifth studio album by American jazz pianist Bill Evans as a leader, released in 1960. It is the first of only two studio albums to be recorded with his famous trio featuring bassist Scott LaFaro and drummer Paul Motian .
The Los Angeles Times said that Roney's "muted solo on Bill Evans' 'Blue in Green' and his infectious explorations on a blues called 'Float' show where he is heading." [5] The AllMusic review by Scott Yanow stated, "The music is essentially advanced hard bop, with Roney as usual often sounding a bit tonewise like his hero Miles Davis". [4]
Blue in Green: The Concert in Canada is a live album by jazz pianist Bill Evans with Eddie Gómez and Marty Morell recorded in Camp Fortune, Gatineau, Quebec, Canada in 1974 and released on the Milestone label in 1991. [1]
Blue in Green" is a 1959 jazz ballad by Miles Davis. Blue in Green may also refer to: Blue in Green: The Concert in Canada, a 1991 live album by pianist Bill Evans; Blue in Green, a 2001 album by jazz singer Tierney Sutton
Grant Green (June 6, 1935 – January 31, 1979) was an American jazz guitarist and composer. Recording prolifically for Blue Note Records as both leader and sideman , Green performed in the hard bop , soul jazz , bebop , and Latin -tinged idioms throughout his career.
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.