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"All Right Now" is a song by English rock band Free, released on their third studio album, Fire and Water (1970). It was released by Island Records, a record label founded by Chris Blackwell. Released as the album's second single, "All Right Now" peaked at number two on the UK Singles Chart and number four on the US Billboard Hot 100 singles ...
Free were an English rock band formed in London in 1968 by Paul Rodgers (vocals), Paul Kossoff (guitar), Andy Fraser (bass, piano) and Simon Kirke (drums, percussion). They are best known for their hit songs "All Right Now" and "Wishing Well". [1]
Title Year Release Songwriter(s) Notes "All Right Now" 1970 Fire and Water: Rodgers/Fraser "Be My Friend" 1970 Highway: Rodgers/Fraser "Bodie" 1970 Highway: Rodgers/Fraser
The Best of Free: All Right Now is a 1991 album by the band Free.All the tracks on this album were remixed by Bob Clearmountain. [1] On 18 February 1991, the album was awarded a silver certification by the BPI, [2] for UK album sales of over 60,000 units. [3]
All of a sudden the inspiration struck Fraser and he started bopping around singing 'All Right Now'. He sat down and wrote it right there in the dressing room. It couldn't have taken more than ten minutes." [6] Fraser also co-wrote two other hit singles for Free, "My Brother Jake" and "The Stealer". [7] Free initially split in 1971, and Fraser ...
List of musical chords Name Chord on C Sound # of p.c.-Forte # p.c. #s Quality Augmented chord: Play ...
The album spawned the band's signature hit song "All Right Now", praised by publications such as AllMusic as a hard rock "smash powered by [Paul] Rodgers' gritty, visceral vocals". [2] The song entered the top five within the group's native country of the United Kingdom, and also did well in other European countries such as Austria, France, and ...
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...