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The Celtic harp also had a reinforced curved pillar and a substantial neck, flanked with thick brass cheek bands. The strings are plucked with long fingernails. [40] This type of harp is also unique amongst single row triangular harps in that the first two strings tuned in the middle of the gamut were set to the same pitch. [41]
In Irish mythology, Aengus or Óengus is one of the Tuatha Dé Danann and probably originally a god associated with youth, love, [1] summer and poetic inspiration. The son of The Dagda and Boann, Aengus is also known as Macan Óc ("the young boy" or "young son"), and corresponds to the Welsh mythical figure Mabon and the Celtic god Maponos. [1]
The word has multiple meanings beside Dagda's harp. [1] Úaithne can also mean "concord in music" [1] and Philippe Jouët endorses the interpretation that Dagda's harp indeed means "concordance" or "harmoniousness", which would be consistent with interpreting the byname Cóir Cetharchair as "quadrangular harmony". [25]
Carrigcleena, meaning Cleena's rock, [5] is a natural rock feature about 5 mi (8.0 km) south of Mallow. [12] It was long considered as sacred ground by the local peasantry as Cliodhna's principal palace. [5] It consisted of rough ramparts of rocks encircling about a 2 acres (0.81 ha) circle of green land. [12]
The modern Celtic harp began to appear in the early 19th century in Ireland, shortly after all the last generation of harpers had all died-out, breaking the continuity of musical training between the earlier native Gaelic harping tradition and the revival of Celtic harp playing as part of the later Celtic revival.
The harp was forbidden by the Dagda from issuing any sound, unless thus called upon by the names, [32] which translate to "Oak of Two Meadows" [33] and "the Four Angled Music"; [34] Hence, harp was a richly ornamented magic harp made of oak which, when the Dagda played it, put the seasons in their correct order; [citation needed] The Dagda had ...
The name Aoibheall may come from Gaelic aoibh, meaning "beauty" (or aoibhinn "beautiful"). [2] Alternatively, as a theonym it could be derived from Proto-Celtic *Oibel-ā, literally "burning fire", which may have been a byword for the notion of "ardour"; [4] [3] the Romano-British equivalent of this Proto-Celtic theonym is likely to have been *Oebla. [5]
Lilting often accompanies dancing. Features such as rhythm and tone dominate in lilting and in the case of Irish lilting in particular, is intended to evoke the characteristic 'lilt' of traditional Irish music and specific instruments such as the Celtic harp. [1] [2] The lyrics thus are often meaningless or nonsensical. [3]