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"All Hail the Power of Jesus' Name" is a Christian hymn. The hymn has been called the "National Anthem of Christendom ". [ 1 ] The lyrics, written by Edward Perronet , first appeared in the November, 1779 issue of the Gospel Magazine , which was edited by the author of " Rock of Ages ", Augustus Toplady .
Songwriter Ian Anderson described the song as "a blues for Jesus, about the gory, glory seekers who use his name as an excuse for a lot of unsavoury things. You know, 'Hey Dad, it's not my fault — the missionaries lied.'" [3] Sean Murphy of PopMatters wrote that, "For “Hymn 43” Anderson sets his sights on the US and in quick order sets about decimating the hypocrisy and myth-making of ...
The Hymn of Jesus, H. 140, Op. 37, is a sacred work by Gustav Holst scored for two choruses, semi-chorus, and full orchestra. It was written in 1917–1919 and first performed in 1920. It was written in 1917–1919 and first performed in 1920.
Come My Way, My Truth, My Life; Come, rejoice Before Your Maker; Come, Thou Holy Spirit, Come; Come To Me; Come To My Mercy; Come, Ye Faithful, Raise the Strain; Comfort, Comfort Ye My People; Conditor alme siderum; Creator of the Earth and Skies; Creator Spirit, By Whose Aid; Crown Him With Many Crowns; Cry Out With Joy; Come Lord, Maranatha
This chorus was performed again by the Stoughton Musical Society in their concerts at the Chicago World's Exposition in 1893 [7] His popular tune "Coronation", to Edward Perronet's hymn "All Hail the Power of Jesus' Name", is said to be the earliest American hymn tune still in general use. Also of note is his hymn "Confidence". [6]
2. “The people must know before they can act, and there is no educator to compare with the press.” 3. "One had better die fighting against injustice than to die like a dog or a rat in a trap."
"How Sweet the Name of Jesus Sounds" is a hymn by the evangelical Anglican cleric John Newton. It was published in Olney Hymns in 1779. [1] Of a metaphorical nature, it focuses on the power of the name of Jesus. [2] It is often sung to the tune of Saint Peter by Alexander Reinagle and less frequently to Ortonville by Thomas Hastings. [3]
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