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  2. Robert Mapplethorpe - Wikipedia

    en.wikipedia.org/wiki/Robert_Mapplethorpe

    Robert Michael Mapplethorpe (/ ˈ m eɪ p əl ˌ θ ɔːr p / MAY-pəl-thorp; November 4, 1946 – March 9, 1989) was an American photographer, best known for his black-and-white photographs.

  3. Monochrome photography - Wikipedia

    en.wikipedia.org/wiki/Monochrome_photography

    Digital photo of Kearny Generating Station, converted to black and white in Lightroom, with color channels adjusted to mimic the effect of a red filter. 1968 group portrait of a Swedish musical's cast. Black-and-white photography is considered by some to be more subtle and interpretive, and less realistic than color photography.

  4. Nautilus (photograph) - Wikipedia

    en.wikipedia.org/wiki/Nautilus_(photograph)

    Nautilus is a black-and-white photograph taken by Edward Weston in 1927 of a single nautilus shell standing on its end against a dark background. It has been called "one of the most famous photographs ever made" and "a benchmark of modernism in the history of photography." [1]

  5. Lunch atop a Skyscraper - Wikipedia

    en.wikipedia.org/wiki/Lunch_atop_a_Skyscraper

    Lunch atop a Skyscraper, 1932. Lunch atop a Skyscraper is a black-and-white photograph taken on September 20, 1932, of eleven ironworkers sitting on a steel beam of the RCA Building, 850 feet (260 meters) above the ground during the construction of Rockefeller Center in Manhattan, New York City.

  6. Roy DeCarava - Wikipedia

    en.wikipedia.org/wiki/Roy_DeCarava

    Roy Rudolph DeCarava (December 9, 1919 – October 27, 2009) was an American artist.DeCarava received early critical acclaim for his photography, initially engaging and imaging the lives of African Americans and jazz musicians in the communities where he lived and worked.

  7. The Steerage - Wikipedia

    en.wikipedia.org/wiki/The_Steerage

    The Steerage is a black and white photograph taken by Alfred Stieglitz in 1907. It has been hailed by some critics as one of the greatest photographs of all time because it captures in a single image both a formative document of its time and one of the first works of artistic modernism. [citation needed]