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Byzantine art comprises the body of artistic products of the Eastern Roman Empire, [1] as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of western Rome and lasted until the Fall of Constantinople in 1453, [2] the start date of the Byzantine period is rather clearer in art history than in political history, if still ...
The mosaics in the Dome of the Rock in Jerusalem show the influence of Byzantine designs. Some Western art historians have dismissed or overlooked Byzantine art in general. For example, the deeply influential painter and historian Giorgio Vasari defined the Renaissance as a rejection of "that clumsy Greek style" ("quella greca goffa maniera"). [20]
It was the second capital of the Byzantine Empire. Manuel Panselinos had a famous workshop in the same geographic region. The artists followed the traditional Byzantine style. Michael Astrapas and Eutychios traveled all over the empire from modern Greece, North Macedonia, and Serbia. [3] The artists were invited to Serbia by king Stefan Milutin.
Micromosaic brooch set in black glass, c. 1875, of the Pantheon Byzantine mosaic icon, 45 cm high, 13th century.. Micromosaics (or micro mosaics, micro-mosaics) are a special form of mosaic that uses unusually small mosaic pieces of glass, or in later Italian pieces an enamel-like material, to make small figurative images. [1]
The Art History Institute in Moscow owes its origin to Lazarev's efforts. His magnum opus is The History of Byzantine Painting , published in 2 volumes in 1947 and 1948. It was translated into Italian in an expanded and revised version as Storia della pittura bizantina (1967).
This art had a larger impact in Europe, to which many artists probably returned after the collapse of the regime, influencing Italo-Byzantine painting there. The crusades were also important as a subject in Western art, mainly in illuminated luxury versions of the many histories that were popular reading with Western elites.