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The historical background of natural sounds as they have come to be defined, begins with the recording of a single bird, by Ludwig Koch, as early as 1889.Koch's efforts in the late 19th and early 20th centuries set the stage for the universal audio capture model of single-species—primarily birds at the outset—that subsumed all others during the first half of the 20th century and well into ...
A key area of focus for studies within ecomusicology are the ways in which sound and music is used to create or express concerns about the environment. [16] Jeff Todd Titon has described ecomusicology which focuses more on conceptual aspects of ecocriticism as "the study of music, culture, sound and nature in a period of environmental crisis."
Some forms of music use recorded sounds of nature as part of the music, for example new-age music uses the nature sounds as backgrounds for various musical soundscapes, and ambient music sometimes uses nature sounds modified with reverbs and delay units to make spacey versions of the nature sounds as part of the ambience.
The series consists of recordings of natural sounds such as a seashore with crashing waves or a thunderstorm with falling rain, without musical accompaniment. The series helped ignite a worldwide interest in field recordings which resulted in many imitations being released throughout the 1970s, 1980s and 1990s both with, and without, music. [2] [3]
In music, soundscape compositions are often a form of electronic music or electroacoustic music.Composers who use soundscapes include real-time granular synthesis pioneer Barry Truax, Hildegard Westerkamp, and Luc Ferrari, whose Presque rien, numéro 1 (1970) is an early soundscape composition.
In music, klang (also "clang") is a term sometimes used to translate the German Klang, a highly polysemic word. [3] Technically, the term denotes any periodic sound, especially as opposed to simple periodic sounds (sine tones).
He Xuntian adopted RD Composition in his work Sounds of Nature. [6] [7] The work won The Outstanding Musical Achievement Award of The International New Music Composers Competition 1989-90 USA. [4] [8]
Night music is a musical style of the Hungarian composer Béla Bartók which he used mostly in slow movements of multi-movement ensemble or orchestra compositions in his mature period. It is characterized by "eerie dissonances providing a backdrop to sounds of nature and lonely melodies". [1]