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Nwuneli was born on March 22, 1975, at the University of Nigeria Teaching Hospital in Enugu, Nigeria to a Nigerian professor of Pharmacology—Paul Obuekwe Okonkwo [3] and an American professor of History—Rina Okonkwo. [4] Her father, who is from Awka, Anambra and her mother who is originally from New York, met at Cornell University in 1965. [5]
Nigeria has a long history of gender inequality and discrimination against women. Women in Nigeria face a number of challenges, including limited access to education, health care, and economic opportunities. [8] Women are also disproportionately affected by poverty, violence, and other forms of discrimination.
By 1974, the percentage of female undergraduates increased to 25.5%. The major enrollment from girls was only in teaching and social courses. In absolute terms, there were 138,334 male and 50,652 female students in Nigerian universities during this period. The challenges faced by girls were due to the perception of society on gender qualities. [10]
Matthews was born on February 13, 1988, and grew up in Poughkeepsie, New York, as a dual citizen of the United States and Nigeria.She is the second of four children. Her parents run a software business, Decision Technologies International [2] [7] and her sister, Tiana Idoni-Matthews, became a marketing director of Uncharted Play. [8]
Even though female entrepreneurship and the formation of female-owned business networks is steadily rising, there are a number of challenges and obstacles that female entrepreneurs face. One major challenge for female entrepreneurs faces traditional gender roles that are structurally internalized by society.
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Black business leaders told CNN, if successful, lawsuits that target funding for people of color could stand to undo decades of progress toward leveling the playing field for Black and brown ...
Unlike the Western binary construct of male/men and female/women, such distinctions did not exist in Yorùbá societies. [7] Oyèrónkẹ́ Oyěwùmí, in "The Invention of Women: Making African Sense of Western Gender Discourse," [ 8 ] delves into pre-colonial Yorùbá practices and explores the erasure's modern implications.