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The earliest description of Wuzhiqi can be found in the early 9th century collection of stories from the Tang dynasty, Guoshi bu (國史補) by Li Zhao, which briefly tells of a fisherman in Chuzhou (楚州) who encounters a monkey demon with a black body and a white head in the Huai River. [2]
Chinese mythology refers to mythology that has been passed down in oral or written forms from in the geographic area now known as "China". Chinese mythology includes many varied myths from regional and cultural traditions. Chinese mythology is far from monolithic, not being an integrated system, even among just Han people.
Kuimulang appears in Chinese mythology and literature, notably in the novels Journey to the West and Fengshen Yanyi. He is linked to a historical figure called Ma Wu , a general who hailed from the town of Huyang in Tanghe, located in the Henan province .
Gan Jiang (Chinese: 干將; pinyin: Gān Jiàng) and Mo Ye (Chinese: 莫邪; pinyin: Mò Yé) were a swordsmith couple, discussed in the literature involving the Spring and Autumn period of Chinese history. Some aspects of this material may be considered historical; others are certainly mythological.
Zhurong (Chinese: 祝融), also known as Chongli (Chinese: 重黎) [citation needed], is an important personage in Chinese mythology and Chinese folk religion. According to the Huainanzi and the philosophical texts of Mozi and his followers, Zhurong is a god of fire and of the south. [citation needed]
Li Tieguai (Chinese: 李鐵拐; lit. 'Iron Crutch Li') is a figure in Chinese folklore and one of the Eight Immortals in the Taoist pantheon. He is sometimes described as irascible and ill-tempered, but also benevolent to the poor, sick and the needy, whose suffering he alleviates with special medicine from his bottle gourd.
Feng Meng/Beng Meng (Peng Meng), or Fengmeng (Chinese: 逢蒙; pinyin: féng/péng méng; Wade–Giles: feng²/peng² meng²), was a figure from Chinese mythology closely associated with the divine archer Houyi. He was the apprentice of the divine archer and was envious of his skill with the bow and arrow. In a fit of envy and anger, Feng Meng ...
The poetic style of the Heavenly Question is markedly different from the other sections of the Chuci collection, with the exception of the "Nine Songs" ("Jiuge"). The poetic form of the Heavenly Questions is the four-character line, more similar to the Shijing than to the predominantly variable lines generally typical of the Chuci pieces, the vocabulary also differs from most of the rest of ...