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African poetry encompasses a wide variety of traditions arising from Africa's 55 countries and from evolving trends within different literary genres.The field is complex, primarily because of Africa's original linguistic and cultural diversity and partly because of the effects of slavery and colonisation, the believe in religion and social life which resulted in English, Portuguese and French ...
This is a list of African poets. Contemporary Africa has a range of important poets across many different genres and cultures. Poetry in Africa details more on the history and context of contemporary poetry on the continent.
Storytellers in Africa sometimes use call-and-response techniques to tell their stories. Poetry describes a narrative poem based upon a short and a ribald anecdote and is often sung, through: narrative epic, occupational verse, ritual verse, praise poems of rulers and other prominent people.
The Penguin Book of Modern African Poetry (in an earlier 1963 edition Modern Poetry from Africa) is a 1984 poetry anthology edited by Gerald Moore and Ulli Beier. [1] It consists mainly of poems written in English and English translations of French or Portuguese poetry; poems written in African languages were included only in the authors' translations.
The Proletarian poetry is a genre of political poetry developed in the United States during the 1920s and 1930s that endeavored to portray class-conscious perspectives of the working-class. [64] Connected through their mutual political message that may be either explicitly Marxist or at least socialist , the poems are often aesthetically disparate.
Afrikaans can claim the same literary roots as contemporary Dutch, as both languages stem from 17th-century Dutch. One of the oldest examples of written Cape Dutch is the poem Lied ter eere van de Swellendamsche en diverse andere helden bij de bloedige actie aan Muizenberg in dato 7 August 1795 (Song in Honour of the Swellendam and various others Heroes at the Bloody Action at Muizenberg) [3 ...
The poem follows a trope in African literature of "The White Man Laughed", which embodies the notion of dismay and cynical derision of the beliefs, practices, and norms of an African. [3] However, Okara's poem can be seen to transcend the acceptance of the derision of the White Man and present a wiser African intellectual.
The genre of performance poetry in present-day South Africa, encompassing the "pop culture" form of the spoken word, evidently has its roots in the indigenous praise poetry traditions of izibongo or lithoko as well as the combined influence of protest poets of the 1970s through to the 1990s, who often collaborated with or were musicians ...