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Renaissance Classicism; Early Netherlandish painting – 1400 – 1500; Early Cretan School – post-Byzantine art or Cretan Renaissance 1400 – 1500; Mannerism and Late Renaissance – 1520 – 1600, began in central Italy
Before colonization, there were many flourishing traditions of Native American art, and where the Spanish colonized Spanish Colonial architecture and the accompanying styles in other media were quickly in place. Early colonial art on the East Coast initially relied on artists from Europe, with John White (1540-c. 1593
Early modern period – The chronological limits of this period are open to debate. It emerges from the Late Middle Ages (c. 1500), demarcated by historians as beginning with the fall of Constantinople in 1453, in forms such as the Italian Renaissance in the West, the Ming dynasty in the East, and the rise of the Aztecs in the New World.
Western American Art includes artistic work which depicts the subjects related to the Western American region, and was treated as impoverished, unwanted and unworthy art before the twentieth century, during which period it achieved respectability as a rewarding region for studying. [1]
The High Renaissance in Italy gave rise to a stylized art known as Mannerism after 1520, although some painters, such as Titian and Paolo Veronese, continued painting in a High Renaissance style late into the century. In place of the balanced compositions and rational approach to perspective that characterized art at the dawn of the 16th ...
The American Renaissance was a period of American architecture and the arts from 1876 to 1917, [1] characterized by renewed national self-confidence and a feeling that the United States was the heir to Greek democracy, Roman law, and Renaissance humanism.
Together, they were referred to as "The American Pre-Raphaelites". [2]: 84 Curated by Augustus Ruxton and William Michael Rossetti, an American exhibition of British art in New York in 1857 further spread the ideals of Pre-Raphaelite art, [2]: 85 with works like Ruskin's own Fragments of the Alps. [3]
Due to the often multiple practical uses of folk art artifacts from the United States, many pieces of art go anonymous and unconnected to any specific artists. [7] Although there are many prominent and well known American folk artists, there are many more who are lacking in biographical details or cannot have anonymous creations attributed to them, posing a challenge to the study of folk art.