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  2. Bansuri - Wikipedia

    en.wikipedia.org/wiki/Bansuri

    Krishna with a bansuri is sometimes referred to as Venugopal. A bansuri is an ancient side-blown bamboo flute originating from Indian Subcontinent. It is an aerophone produced from bamboo and metal like material used in many Indian and Nepali Lok songs. A bansuri is traditionally made from a single hollow shaft of bamboo with seven finger holes ...

  3. List of film songs based on ragas - Wikipedia

    en.wikipedia.org/wiki/List_of_film_songs_based...

    Hindi: Ābhēri/ Bhimpalasi: Khilte Hain Gul Yahan [TH - A Raga's Journey 1] Sharmeelee: Sachin Dev Burman: Kishore Kumar & Lata Mangeshkar: Hindi: Ābhēri/ Bhimpalasi: Khoya Khoya Chand [TH - A Raga's Journey 1] Kala Bazar: Mohammed Rafi: Hindi: Ābhēri / Bhimpalasi: Man Mor Hua Matavala Afsar(1948 film) S. D. Burman: Suraiya: Hindi ...

  4. Ronu Majumdar - Wikipedia

    en.wikipedia.org/wiki/Ronu_Majumdar

    Pt Majumdar's music is rooted in the Maihar gharana which has musicians of eminence like Pt Ravi Shankar and Ustad Ali Akbar Khan to its credit. Apart from his concerts all over India in different music festivals, he also participated in the Festival of India in Moscow and Asiad '82 in New Delhi. He has toured extensively in Europe, the United ...

  5. Ahir Bhairav - Wikipedia

    en.wikipedia.org/wiki/Ahir_Bhairav

    Chakravakam, the 16th Melakarta raga of Carnatic music, which is a sampurna scale (all seven notes in ascending and descending scale), closely resembles Ahir Bhairav. [5] However, in the modern times Ahir Bhairav raga has been used in a few Carnatic music compositions and many South Indian film songs as well.

  6. Bhimpalasi - Wikipedia

    en.wikipedia.org/wiki/Bhimpalasi

    Since the scale has 5 notes ascending and all 7 descending, the resulting jāti is Audav–Sampūrṇa. [1] It is performed in the early afternoon, from 12:00 P.M. to 3:00 P.M. (the third prahar of the day). [4] Use of dhaivat(dha) and rishabh(ray) is symmetrical in that both are approached via the succeeding notes (D from Ṉ, and R from G̱).

  7. Venu - Wikipedia

    en.wikipedia.org/wiki/Venu

    Carnatic music emphasizes the "gayaki style" or "the style of imitating the human voice". Hence the usage of gamakas and andolans require a nimble hold and a way to bend the notes smoothly on a Venu. Bansuri is more suited to Hindustani style of music due to its importance on long sustained notes and fast taans. These two instruments serve ...

  8. Pravin Godkhindi - Wikipedia

    en.wikipedia.org/wiki/Pravin_Godkhindi

    "Top Ranking Artiste" in Hindustani bansuri, by Akashvani (AIR) 1st Indian to represent bansuri at the World Flute Festival in Mendoza, Argentina [4] [5] National awards for films Beru and Vimukthi; Brand ambassador for AKG microphones; Started toying with a small flute at the age of 3 years; First public performance at the age of 6

  9. Brindavani Sarang - Wikipedia

    en.wikipedia.org/wiki/Brindavani_Sarang

    Megh malhar has same notes but it is Dhrupad anga raga and is serious in rendering, with a lot of meenḍ. Another distinguishing factor is that while Rishabh is used extensively in Megh Malhar (as also in Sarang), the Rishabh there takes a very strong meenḍ from Madhyam (Me), a salient in the singing of meenḍ -heavy Megh.