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Although this appears to be the first work of computer-generated literature, the structure is similar to the nineteenth-century parlour game Consequences, and the early twentieth-century surrealist game exquisite corpse. The Mad Libs books were conceived around the same time as Strachey wrote the love letter generator. [3]
A writer learning the craft of poetry might use the tools of poetry analysis to expand and strengthen their own mastery. [4] A reader might use the tools and techniques of poetry analysis in order to discern all that the work has to offer, and thereby gain a fuller, more rewarding appreciation of the poem. [5]
Digital poetry is a form of electronic literature, displaying a wide range of approaches to poetry, with a prominent and crucial use of computers. Digital poetry can be available in form of CD-ROM, DVD, as installations in art galleries, in certain cases also recorded as digital video or films, as digital holograms, on the World Wide Web or Internet, and as mobile phone apps.
The 1952 love letter generator that the British computer scientist Christopher Strachey wrote for the Manchester Mark 1 computer is probably the first example of literature that requires a computer to be generated or read. [13] [14] [15] The work generates short love letters, and is an example of combinatory poetry, also called generative ...
A code poem may be interactive or static, digital or analog. Code poems can be performed by computers or humans through spoken word and written text. Examples of code poetry include: poems written in a programming language, but human readable as poetry; computer code expressed poetically, that is, playful with sound, terseness, or beauty.
The Ultimate Cut-Up Generator An online version that cuts-up the Internet, a specific URL, or your own text. iOS Cut-ups App An iOS app implementation of cut-ups which mimics the ability to manually rearrange lines of texts as well as input camera-captured, converted text into your cut-ups.
Computer-assisted (or aided) qualitative data analysis software (CAQDAS) offers tools that assist with qualitative research such as transcription analysis, coding and text interpretation, recursive abstraction, content analysis, discourse analysis, [1] grounded theory methodology, etc.
[1] [2] The poem is 99 words in 3 stanzas, and describes a technological utopia in which humans and technology work together for the greater good. Brautigan writes about "mammals and computers liv[ing] together in mutually programming harmony", with technology acting as caretakers while "we are free of our labors and joined back to nature."