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In 1953, he published a proposal for a doctor of musical arts degree, which was roundly criticized by Paul Henry Lang, professor of musicology at Columbia University. [11] Early doctor of musical arts degrees conferred. 1954: Mathias "Matt" Higgins Doran (born 1921), University of Southern California
Anna Maria Busse Berger is an American musicologist. Busse Berger received her PhD from Boston University in 1986, and since 1989 she has taught at University of California, Davis, where she is now a Distinguished Professor of Music. [1]
Musicians Institute (MI) is a private for-profit music school in Los Angeles, California.MI students can earn Certificates and – with transfer of coursework taken at Los Angeles City College – Associate of Arts Degrees, as well as Bachelor of Music Degrees in either Performance or Composition.
It is published by University of California Press and covers all aspects of musicology. The Journal of the American Musicological Society has been published three times a year since 1948. It was preceded by the annual Bulletin of the American Musicological Society (1936–1947) and the annual Papers of the American Musicological Society (1936 ...
Founded in 1934, the AMS was begun by leading American musicologists of the time, and was crucial in legitimizing musicology as a scholarly discipline. At present, approximately 3000 individual members from forty nations are a part of the Society. Since 1948, the AMS has published the triannual Journal of the American Musicological Society.
George Gershwin: His Life and Work (University of California Press, 2006); ISBN 978-0-520-24864-9 Marc Blitzstein: His Life, His Work, His World (Oxford University Press, 2012) The Ballad of John Latouche: An American Lyricist's Life and Work (Oxford University Press, 2017)
Joseph Wilfred Kerman (3 April 1924 – 17 March 2014) was an American musicologist and music critic.Among the leading musicologists of his generation, his 1985 book Contemplating Music: Challenges to Musicology (published in the UK as Musicology) was described by Philip Brett in The Grove Dictionary of Music and Musicians as "a defining moment in the field". [1]
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