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Banners of Knights of the Order of the Thistle are hung in the 1911 chapel of the Order in St Giles High Kirk in Edinburgh. [6] Banners of Knights of the Order of the Garter are displayed in St George's Chapel at Windsor Castle. From Victorian times Garter banners have been approximately 1.5 m × 1.5 m (5 ft × 5 ft). [7]
The Oriflamme was first used in 1124 by Louis VI of France, [6] but a version of it remained in the Abbey of St. Denis until the 18th century. [7]Louis VI replaced the earlier banner of Saint Martin with the oriflamme of the Abbey of St. Denis, which floated about the tomb of St. Denis and was said to have been given to the abbey by Dagobert I, King of the Franks.
Sir Rhys ap Thomas (1449–1525), knight banneret and Knight of the Garter.. A knight banneret, sometimes known simply as banneret, was a medieval knight who led a company of troops during time of war under his own banner (which was square-shaped, in contrast to the tapering standard or the pennon flown by the lower-ranking knights) and was eligible to bear supporters in English heraldry.
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The banner strictly speaking dates to the early 15th century when the supporters of the Duke of Burgundy adopted the badge to show allegiance in the Armagnac–Burgundian Civil War. It represents the cross on which Andrew the Apostle was crucified. The design is a red saltire resembling two crossed, roughly-pruned, branches on a white field.
Hata-jirushi (旗印) were the most common of war banners used on the medieval Japanese battlefield. The term can be translated to literally mean symbol flag , marker banner , or the like. Unlike the later nobori , which were stiffened, these banners were simple streamers attached to a shaft by a horizontal cross-piece.
The banners were painted with tempera or oil paints, sometimes on both sides. Images on the gonfalons included the patron saints of cities, villages, confraternities or guilds , the Virgin and Child , Jesus Christ , God the Father , Plague Saints , and the Virgin Mary as Queen of Heaven , Mediatrix , Theotokos , or Madonna of Mercy .
13th-century sources show it as a white gonfanon with a black chief (argent a chief sable). [1] Jacques de Vitry, writing in the 1220s, mentions the gonfanon baucent and explains that the black and white colours symbolise the Templar's ferocity towards their enemies and their kindness towards their friends. [2]