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The Oriflamme was mentioned in the 11th-century ballad the Chanson de Roland (vv. 3093–5) as a royal banner, first called Romaine and then Montjoie. [3] According to legend, Charlemagne carried it to the Holy Land in response to a prophecy regarding a knight possessing a golden lance from which flames would burn and drive out the Saracens. [4]
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Pseudo-Kodinos also enumerates various banners and insignia used in imperial processions: one named archistratēgos (ἀρχιστράτηγος, "chief general"); another with images of renowned prelates and eight streamers known as oktapodion (ὀκταπόδιον, "octopus"); another in the form of a cross with the images of St. Demetrius ...
The banner strictly speaking dates to the early 15th century when the supporters of the Duke of Burgundy adopted the badge to show allegiance in the Armagnac–Burgundian Civil War. It represents the cross on which Andrew the Apostle was crucified. The design is a red saltire resembling two crossed, roughly-pruned, branches on a white field.
According to Meyers Konversations-Lexikon of 1897 (under the heading "Banner"), the German Imperial Banner at the time of Henry the Fowler (r. 919–936) and Otto the Great (r. 936–973) depicted the Archangel Michael; at the time of Frederick Barbarossa (r. 1152–90), an eagle; at the time of Otto IV (r. 1198–1215) an eagle hovering over a dragon, and since the time of Sigismund (r. 1410 ...
The banners were painted with tempera or oil paints, sometimes on both sides. Images on the gonfalons included the patron saints of cities, villages, confraternities or guilds , the Virgin and Child , Jesus Christ , God the Father , Plague Saints , and the Virgin Mary as Queen of Heaven , Mediatrix , Theotokos , or Madonna of Mercy .
The depiction of the harp has changed over time. When the arms were restored as the arms of the independent Irish state in 1922, a late-medieval Gaelic harp (a cláirseach), the Trinity College Harp, was used as a model. Several variants of the arms of Ireland exist, including a heraldic badge and an infrequently used crest and torse.
Hata-jirushi (旗印) were the most common of war banners used on the medieval Japanese battlefield. The term can be translated to literally mean symbol flag , marker banner , or the like. Unlike the later nobori , which were stiffened, these banners were simple streamers attached to a shaft by a horizontal cross-piece.