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The track borrows the main riff from The Kinks' 1964 song, "All Day and All of the Night", which was one of the band's first hits. [2] The lyrics feature the return of the transvestite title character from The Kinks' 1970 hit song, "Lola"; in "Destroyer", the singer brings Lola to his place where he becomes increasingly paranoid. [3]
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Muswell Hillbillies is the tenth studio album by the English rock group the Kinks. Released on 24 November 1971, it was the band's first album released through RCA Records. The album is named after the Muswell Hill area of North London, where band leader Ray Davies and guitarist Dave Davies grew up and the band formed in the early 1960s. [3]
The Kinks, an English rock band, were active for over three decades, from 1963 to 1996, releasing 26 studio albums and four live albums. [1] The first two albums are differently released in the UK and the US, partly due to the difference in popularity of the extended play format (the UK market liked it, the US market did not, so US albums had the EP releases bundled onto them), and partly due ...
The Kinks' first single was a cover of the Little Richard song "Long Tall Sally". A friend of the band, Bobby Graham , [ 24 ] was recruited to play the drums on the recording. Graham would continue to occasionally substitute for Avory in the studio and he played on several of the Kinks' early singles, including the hits "You Really Got Me ...
State of Confusion is the twentieth studio album by the English rock group the Kinks, released in 1983.The record features the single "Come Dancing", which hit number 6 on the Billboard Hot 100 and was one of the band's biggest hit singles in the United States, equaling the 1965 peak of "Tired of Waiting for You".
"Village Green" is a song by the English rock band the Kinks from their 1968 album The Kinks Are the Village Green Preservation Society. Written and sung by the band's principal songwriter, Ray Davies, the song was first recorded in November 1966 during the sessions for Something Else by the Kinks (1967) but was re-recorded in February 1967.
When comparing the Kinks' original version of "Dandy" to Herman's Hermits' cover, Stewart Mason of AllMusic said, "Herman's Hermits would have the US hit with Ray Davies' 'Dandy,' but the Kinks' own version, from 1966's masterful Face To Face, is far superior to Peter Noone's charming but gormless rendition."