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Quick Style or The Quick Style and also known as the Quick Crew, is a Norwegian hip-hop/urban dance group founded by two Norwegian-Pakistani twins, Suleman and Bilal Malik, and their Norwegian-Thai childhood friend Nasir Sirikhan.
Three characteristic dance figures of the quickstep are the chassés, where the feet are brought together, the quarter turns, and the lock step. [2] p126. This dance gradually evolved into a very dynamic one with much movement on the dance floor, with many advanced patterns including hops, runs, quick steps with much momentum, and rotation.
The pattern starts with the leader backing DC, e.g., after the first part of the quarter turns: the back lock (SQQS) is performed, followed by the change of the direction on counts SQQ (leader's steps: left foot back (follower steps outside partner), right foot back with a quarter turn to the left, left foot forward facing DW), followed by a slow step outside partner, e.g., into the forward ...
Styles of cha-cha-cha dance may differ in the place of the chasse in the rhythmical structure. [9] The original Cuban and the ballroom cha-cha-cha count is "one, two, three, cha-cha", or "one, two, three, four-and." [ 10 ] An incorrect "street version" comes about because many social dancers count "one, two, cha-cha-cha" and thus shift the ...
It exists in almost every dance. Walks approximately correspond normal walking steps, taking into the account the basic technique of the dance in question. (For example, in Latin-dance walks the toe hits the floor first, rather than the heel.) In dance descriptions the term walk is usually applied when two or more steps are taken in the same ...
But in a Western dance it is quite in kind to make it joyous and bouncy." [8] [9] Modern styles however continued with the smooth style and added a slight "lilt." This same step pattern, step, close, step, with a timing of quick quick slow was given as the definition of Country-Western Two-Step in 1983. [10]
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The Peabody is a brisk dance that covers a lot of space on the dance floor. Danced to almost any 2/4 or 4/4 ragtime tune of appropriate tempo, it is essentially a fast one-step, with long, gliding strides and a few syncopations. The leader changes sides as he travels around the floor and adds promenades and simple turns as the dance progresses.