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Middle English literature is written, then, in the many dialects that correspond to the history, culture, and background of the individual writers. While Anglo-Norman or Latin was preferred for high culture and administration, English literature by no means died out, and a number of important works illustrate the development of the language.
Middle English (abbreviated to ME [1]) is a form of the English language that was spoken after the Norman Conquest of 1066, until the late 15th century. The English language underwent distinct variations and developments following the Old English period.
The Alliterative Revival is a term adopted by literary historians to refer to the resurgence of poetry using the alliterative verse form in Middle English between c. 1350 and 1500. Alliterative verse was the traditional verse form of Old English poetry ; the last known alliterative poem prior to the Revival was Layamon 's Brut , which dates ...
Langland's Piers Plowman (written c. 1360–87) or Visio Willelmi de Petro Plowman (William's Vision of Piers Plowman) is a Middle English allegorical narrative poem, written in unrhymed alliterative verse. [34] Sir Gawain and the Green Knight is a late 14th-century Middle English alliterative romance. It is one of the better-known Arthurian ...
Literature written in Middle English, from the late 11th through the 15th centuries. Subcategories. This category has the following 3 subcategories, out of 3 total. A.
William Langland, Piers Plowman or Visio Willelmi de Petro Ploughman (William's Vision of Piers Plowman) is an apocalyptic Middle English allegorical narrative attributed to William Langland, one of the great works of English literature. It is written in unrhymed alliterative verse divided into sections called passus (Latin for "step").
In Old Saxon poetry, Old English poetry, and Middle English poetry, the term fit(t) (Old English: fitt, Middle English fit(t)(e), fyt(t)(e), Old Saxon *fittia) was used to denote a section (or canto) of a long narrative poem, and the term (spelled both as fitt and fit) is still used in modern scholarship to refer to these [1] (though in Old and Middle English the term seems actually to have ...
The traditional estates were specific to men (although the clergy also included nuns); women were considered a class in themselves, [1] the best-known example being Geoffrey Chaucer's Wife of Bath. Estate satire praised the glories and purity of each class in its ideal form, but was also used as a window to show how society had gotten out of hand.