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Kente comes from the word kɛntɛn, which means "basket" in the Asante dialect of the Akan language, referencing its basket-like pattern. In Ghana, the Akan ethnic group also refers to kente as nwentoma, meaning "woven cloth". Ashanti folklore includes a story where weavers invented kente by seeking to replicate the patterns of Anansi the ...
An academic stole is a vestment used by various organizations to denote club involvement or academic achievement. Its use includes membership of a professional organization, [ 1 ] a high school valedictorian award, [ 2 ] and adorns the academic regalia representing some university and college courses.
Small fragments of textiles have been found from this period at archeological sites across Greece. [9] [page needed] These found textiles, along with literary descriptions, artistic depictions, modern ethnography, and experimental archaeology, have led to a greater understanding of ancient Greek textiles.
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A himation (/ h ɪ ˈ m æ t i ˌ ɒ n / hə-MAT-ee-un, [1] Ancient Greek: ἱμάτιον) was a type of clothing, a mantle or wrap worn by ancient Greek men and women from the Archaic period through the Hellenistic period (c. 750–30 BC). [2] It was usually worn over a chiton and/or peplos, but was made of heavier drape and played the role ...
Violet Latin stole and maniple, worn over an alb. The stole is a liturgical vestment of various Christian denominations, which symbolizes priestly authority; in Protestant denominations which do not have priests but use stoles as a liturgical vestment, however, it symbolizes being a member of the ordained.
Ambrose, Bishop of Milan, wearing a casula over a sticharion (by this time, simply a type of long-sleeved tunic) and a small pectoral cross.. The vestments of the Nicene Church, East and West, developed out of the various articles of everyday dress worn by citizens of the Greco-Roman world under the Roman Empire.
Assuming the number of events was consistent throughout the history of the games and that all prizes were in the form of decorated amphora, dividing the number of unique vases known by the total production run, gives the figure of between 0.5% and 1% of all Greek vases awarded are still extant.