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"No Surrender (to the IRA)" is a British football chant sung to the tune of the "Oil in My Lamp" hymn which expresses opposition to the Provisional Irish Republican Army.It was commonly sung in UK pubs in the 1970s and 1980s, including by Rangers F.C. supporters, many of whom held strong unionist sentiments.
The rhythms of these chants were eventually an influence of popular ska, rocksteady and reggae music. Niyabinghi chants include: "400 Million Blackman" "400 Years" (its lyrics influenced Peter Tosh's "400 Years") "Babylon In I Way" "Babylon Throne Gone Down" (arranged by Bob Marley to "Rastaman Chant" in 1973) "Banks of the River" "Behold Jah live"
The Hymn Book of the African Methodist Episcopal Church: being a collection of hymns, sacred songs and chants (5th ed.) (1877) [350] [351] New hymn and tune book (1889) [ 352 ] African Methodist Episcopal hymn and tune book: adapted to the doctrine and usages of the church.
The oral tradition of the Vedas consists of several pathas, "recitations" or ways of chanting the Vedic mantras.Such traditions of Vedic chant are often considered the oldest unbroken oral tradition in existence, the fixation of the Vedic texts as preserved dating to roughly the time of Homer (early Iron Age or 800 BC).
Chants may range from a simple melody involving a limited set of notes to highly complex musical structures, often including a great deal of repetition of musical subphrases, such as Great Responsories and Offertories of Gregorian chant. Chant may be considered speech, music, or a heightened or stylized form of speech.
One of the most important Blessing Way rites is the Kinaaldá ceremony, in which a young girl makes the transition to womanhood upon her menarche. [1] During the course of the ceremony, the girl enacts the part of Changing Woman ( Asdzą́ą́ Nádleehé ), [ 1 ] the powerful spirit woman responsible for fertility entering the world.
Both African-American women work songs, African American work songs, and the work song, in general, use the call-and-response format often. It can also be found in the music of the Afro-Caribbean populations of Jamaica , Trinidad & Tobago , Bahamas , Barbados , Belize , and many nations of the diaspora, especially Brazil.
"Glory Glory" is a terrace chant sung in association football in the United Kingdom and in other sport. It uses a popular camp meeting hymn tune of unknown origin that is famously associated with the marching song "John Brown's Body", with the chorus "Glory, Glory, Hallelujah" – the chant replaces "Hallelujah" with the name (or a four-syllable adaptation) of the favoured team.