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The active voice is the most commonly used in many languages and represents the "normal" case, in which the subject of the verb is the agent. In the active voice, the subject of the sentence performs the action or causes the happening denoted by the verb. Sentence (1) is in active voice, as indicated by the verb form saw.
The active voice is the dominant voice used in English. Many commentators, notably George Orwell in his essay "Politics and the English Language" and Strunk & White in The Elements of Style, have urged minimizing use of the passive voice, but this is almost always based on these commentators' misunderstanding of what the passive voice is. [8]
The English passive voice is used less often than the active voice, [3] but frequency varies according to the writer's style and the given field of writing. Contemporary style guides discourage excessive use of the passive voice but generally consider it to be acceptable in certain situations, such as when the patient is the topic of the ...
Active voice is a grammatical voice prevalent in many of the world's languages. It is the default voice for clauses that feature a transitive verb in nominative–accusative languages, including English and most Indo-European languages. In these languages, a verb is typically in the active voice when the subject of the verb is the doer of the ...
An auxiliary verb (abbreviated aux) is a verb that adds functional or grammatical meaning to the clause in which it occurs, so as to express tense, aspect, modality, voice, emphasis, etc. Auxiliary verbs usually accompany an infinitive verb or a participle, which respectively provide the main semantic content of the clause. [1]
The passive voice in English may appear to be in the OVS order, but that is not an accurate description. In an active voice sentence like Sam ate the apples, the grammatical subject, Sam, is the agent and is acting on the patient, the apples, which are the object of the verb, ate.
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Separation of the active and the passive, the line between sport and spectator, gives rise to the paradox of the spectator—described by French philosopher Jacques Rancière—which is to seek an opportunity to passively contemplate engaging in an activity, and in doing so, forfeit that life moment one might have used to actually engage in the ...